An edition of Multimodal film analysis
(2012)
Multimodal film analysis
how films mean
by John A. Bateman
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Book Details
Table of Contents
Analysing film. Distinguishing the filmic contribution to meaning
Examples of filmic "textual organisation"
Redrawing boundaries
Organisation of the book
Semiotics and documents. Semiotics and its relations to film
The nature of discourse semantics
The film as cinematographic document
A combined view: filmic documents for filmic discourse
Constructing the semiotic mode of film. Semiotic multimodality
The internal organisation of semiotic strata
Composing and combining semiotic modes
Materiality and "epistemological commitment"
Christian Metz and the grande syntagmatique of the image track. The original model
Two examples of analysis with the grande syntagmatique
Revisions and rebuttals
Foundations for analysis: filmic units. The basic units of film: preliminaries
Audiovisual iconic representations
Perception, perceptual realism and reliable measurement
Multiplicity: from perception to discourse
Filmic units revisited: discourse-motivated definitions
The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique
Capturing discourse dependency structures in film
The paradigmatic dimensions of projection, taxis and plane
Two examples of paradigmatic analysis
Summary and conclusions.
Edition Notes
Includes bibliographical references and index.
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- Created January 25, 2012
- 11 revisions
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| May 12, 2025 | Edited by MARC Bot | import existing book |
| July 16, 2023 | Edited by ImportBot | import existing book |
| March 8, 2023 | Edited by MARC Bot | import existing book |
| December 22, 2022 | Edited by MARC Bot | import existing book |
| January 25, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |