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There is more to identity than identifying with one’s culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
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Previews available in: English
Subjects
Minority lesbians, Political aspects of Performance art, Minority gays, Performance art, Gays, Lesbians, Social conditions, Hispanic American lesbians, Hispanic American gays, Identity, Gay men, Hispanic American gay men, Queer theory, Gays in popular culture, Gay culture, Gay & Lesbian studies, Performing Arts, Social groups & communities, United States, General, Social Science, Sociology, USA, Gay Studies, Lesbian Studies, Ethnic Studies - General, LGBTQ, Queer, Minorities, united states, social conditions, Gays, identity, Art, political aspects, Gays, social conditions, Political aspects, Performances, Homoseksualiteit, Minderheden, BeeldvormingPlaces
United StatesShowing 4 featured editions. View all 4 editions?
Edition | Availability |
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1
Disidentifications: Queers of Color and the Performance of Politics
2013, University of Minnesota Press
in English
1452942544 9781452942544
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2
Disidentifications: Queers of Color and the Performance of Politics (Cultural Studies of the Americas, V. 2)
May 1999, University of Minnesota Press
Paperback
in English
0816630151 9780816630158
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3
Disidentifications: Queers of Color and the Performance of Politics (Cultural Studies of the Americas, V. 2)
May 1999, University of Minnesota Press
Hardcover
in English
0816630143 9780816630141
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zzzz
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4
Disidentifications: queers of color and the performance of politics
1999, University of Minnesota Press
in English
0816630143 9780816630141
|
aaaa
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WorldCat
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Book Details
Table of Contents
Famous and dandy like B. 'n' Andy: race, pop, and Basquiat
Photographies of mourning: melancholia and ambivalence in Van DerZee, Mapplethorpe, and Looking for Langston
The autoethnographic performance: reading Richard Fung's queer hybridity
"The white to be angry": Vaginal Creme Davis's terrorist drag
Sister acts: Ela Troyano and Carmelita Tropicana
Pedro Zamora's Real world of counterpublicity: performing an ethics of the self
Performing disidentity: disidentification as a practice of freedom
Latina performance and queer worldmaking; or, Chusmería at the end of the twentieth century.
Edition Notes
Includes bibliographical references and index.
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Feedback?August 4, 2024 | Edited by bitnapper | merge authors |
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