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Escrito en 1513. El príncipe es la obra más importante de Nicolás Maquiavelo. Considerado habitualmente como a suerte de manual para la conquista del poder, es en realidad un libro fundamental para comprender el Renacimiento. Pero sin duda lo que ha hecho trascender esta obra es la radiografía que hace del poder político a través del análisis de los gobiernos y las empresas bélicas de grandes figuras como Alejandro Magno, César Borgia y Fernando el Católico. Maquiavelo no se conforma con examinar los temas del poder, la guerra y la paz, sino que de ellos extrae lecciones explícitas para Lorenzo de Medici, a quien está dedicado el libro con le fin de salvar a Italia de los bárbaros, aun recurriendo a medios cuestionables. Tal vez por eso la posteridad ha sido ingrata con Maquiavelo. El «maquiavelismo», acción maliciosa para el común de las personas, es tenido por su único legado, siendo olvidada con frecuencia su faceta de humanista y su genio literario.
Aunque las traducciones al español de esta obra son numerosas, la presente, vertida directamente del italiano antiguo, propone una lectura apegada al sentido original de las ideas de Maquiavelo.
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Political science, early works to 1800, Machiavel, Nicolas, 1469-1527. Prince, Classic Literature, Fiction, Ouvrages avant 1800, Science politique, Morale politique, Political science, Early works to 1800, Political ethics, Italian literature, Contribution à la philosophie politique, Biographie, Politique et morale, Philosophie politique, Philosophie de la Renaissance, History, The Renaissance, Catholic Church, Church and State, Literature, Early works to 1700, Industrial management, Politics, Philosophy, Political leadership, Politics and government, Republicanism, The State, Translations into English, Utopias, Doctrines, Sources, Social contract, Reformation, Staatkunde, Monarchie, Readers, Italian language, Historiography, Literature in Spanish, Ética política, Ciencias políticas, Obras anteriores a 1800, Estado, Italian language materials, Management, Essays, Government, General, National, Reference, Principe (Machiavelli, Niccolò), Political science, philosophy, Large type books, Accessible book, Ciencias politicas, Education of princes, Italian Manuscripts, Facsimiles, Political science--Philosophy--Early works to 1800, Political ethics--Early works to 1800, State, The--Early works to 1800, State, the, Long Now Manual for Civilization, Heerschappij, Olasz, Allamelmelet, Machiavellizmus, Political sciences, Police ethics, Philosophy and ethics, Fiction, psychological, Comics & graphic novels, fantasy, Machiavelli, niccolo, 1469-1527, Principe (Machiavelli, Niccolò̀), Jun zhu zhi, Zheng zhi si xiang shi, Yan jiu, History and criticism, Power (social sciences), Monokratie, État, Machiavelli, Niccolò, Il principe, Staatskunst, Political science--early works to 1800, Jc143 .m38 1999b, 320.101, Jc143 .m38 1984, Jc143 .m38 1999, 320.1, Jc143 .m3813 1995, Rome, historiography, Interpersonal relations, Military art and science, Psychology, Kunshuseiji, Kings and rulers, Duties, Política, Philosophie, Princes, Monarchy, Politique et gouvernementShowing 14 featured editions. View all 1405 editions?
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The Prince
2013-12-12, CreateSpace Independent Publishing Platform
in English
1494461943 9781494461942
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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by Italian diplomat and political theorist Niccolò Machiavelli as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes – such as glory and survival – can justify the use of immoral means to achieve those ends.
From Machiavelli's correspondence, a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings".
Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.
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