An edition of Shakespeare and the power of performance
(2008)
Shakespeare and the power of performance
stage and page in the Elizabethan theatre
by Robert Weimann
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Previews available in: English
Subjects
Shakespeare, william, 1564-1616, English drama, history and criticism, early modern and elizabethan, 1500-1600, English drama, history and criticism, 17th century, Prologues and epilogues, Drama, technique, Shakespeare, william, 1564-1616, technique, Shakespeare, william, 1564-1616, dramatic production, Shakespeare, william, 1564-1616, characters, Technique, Dramatic production, Characters, English drama, History and criticism, Théâtre anglais, Histoire et critique, Characters and characteristics, Theater
Book Details
Table of Contents
"Moralize two meanings" in one play : contrariety on the Tudor stage
Performance, game, and representation in Richard III
Mingling vice and "worthiness" in King John
Clowning : agencies between voice and pen
Clowning at the frontiers of representation
Cross-dressing and performance in disguise
Personation and playing : "secretly open" role-playing
Character/actor : the deep matrix
Character : depth, dialogue, page
King Lear : representations on stage and page.
Edition Notes
Includes bibliographical references (p. 224-255) and index.
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- Created May 14, 2009
- 12 revisions
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| March 28, 2025 | Edited by ImportBot | Redacting ocaids |
| November 28, 2023 | Edited by MARC Bot | import existing book |
| December 27, 2022 | Edited by MARC Bot | import existing book |
| December 20, 2020 | Edited by MARC Bot | import existing book |
| May 14, 2009 | Created by ImportBot | Imported from Library of Congress MARC record |