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Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.
Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book.
Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
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Previews available in: English
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Poets, patrons, and printers: crisis of authority in late medieval France
1995, Cornell University Press
in English
0801430712 9780801430718
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Includes bibliographical references (p. [269]-283) and index.
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- Created April 1, 2008
- 14 revisions
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| January 21, 2026 | Edited by MARC Bot | import existing book |
| July 17, 2024 | Edited by MARC Bot | import existing book |
| May 4, 2023 | Edited by ImportBot | import existing book |
| January 14, 2023 | Edited by ImportBot | import existing book |
| April 1, 2008 | Created by an anonymous user | initial import |

