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"Over the last twenty five years, scholarship on Early Modern women writers has produced editions and criticisms, both on various groups and individual authors. The work on Mary Wroth has been particularly impressive at integrating her poetry, prose and drama into the canon. This in turn has led to comparative studies that link Wroth to a number of male and female writers, including of course, William Shakespeare. At the same time no single volume has attempted a comprehensive comparative analysis. This book sets out to explore the ways in which Wroth negotiated the discourses that are embedded in the Shakespearean canon in order to develop an understanding of her oeuvre based, not on influence and imitation, but on difference, originality and innovation"--
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Subjects
Shakespeare, william, 1564-1616, influence, Originality in literature, Gender identity in literature, Women and literature, English poetry, history and criticism, Criticism and interpretation, Knowledge, Literature, Influence, Difference (Philosophy) in literature, History, LITERARY CRITICISM / Shakespeare, LITERARY CRITICISM / Women Authors, LITERARY CRITICISM / Renaissance, Originalité dans la littérature, Identité sexuelle dans la littérature, Femmes et littérature, Histoire, LITERARY CRITICISM, Shakespeare, Women Authors, Renaissance, European, English, Irish, Scottish, Welsh, Influence (Literary, artistic, etc.)Showing 7 featured editions. View all 7 editions?
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Feedback?August 10, 2024 | Edited by MARC Bot | import existing book |
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