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D. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent.
Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology.
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Previews available in: English
Subjects
Criticism and interpretation, Critique et interprétation, LITERARY CRITICISM, European, English, Irish, Scottish, Welsh, Electronic books, English Literature, English, Languages & Literatures, English literature, history and criticism, 20th century, Lawrence, d. h. (david herbert), 1885-1930, English fiction, history and criticism, 20th centuryPeople
D. H. Lawrence (1885-1930)Showing 2 featured editions. View all 2 editions?
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1
The vital art of D.H. Lawrence: vision and expression
1999, Southern Illinois University Press
in English
0809321688 9780809321681
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2
The Vital Art of D. H. Lawrence: Vision and Expression
April 1, 1999, Southern Illinois University
Paperback
in English
- 1st Edition edition
0809323885 9780809323883
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Book Details
Edition Notes
Includes bibliographical references (p. 227-244) and index.
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