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001 ocm44954864
003 OCoLC
005 20201104185327.0
008 000807s1999 ilua ob 001 0 eng d
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072 7 $aLIT$x004120$2bisacsh
082 04 $a823/.912$221
100 1 $aStewart, Jack,$d1935-
245 14 $aThe vital art of D.H. Lawrence :$bvision and expression /$cJack Stewart.
260 $aCarbondale :$bSouthern Illinois University Press,$c©1999.
300 $a1 online resource (xiii, 251 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 227-244) and index.
588 0 $aPrint version record.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[S.l.] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
546 $aEnglish.
505 0 $a|g 1. |t Aestheticism and Impressionism in The White Peacock -- |g 2. |t Forms of Expression in Sons and Lovers -- |g 3. |t Vision and Expression in The Rainbow -- |g 4. |t Expressionism in Women in Love -- |g 5. |t "Primitivism" in Women in Love -- |g 6. |t Futurism and Mechanism in Women in Love -- |g 7. |t Vitalism in Lawrence and Van Gogh -- |g 8. |t Lawrence, Van Gogh, and Cezanne -- |g 9. |t Lawrence, Gauguin, and Japanese Art in Kangaroo and The Plumed Serpent.
520 $aD. H. Lawrence, asserts Jack Stewart, expresses a painter's vision in words, supplementing visual images with verbal rhythms. With the help of twenty-three illustrations, Stewart shows how Lawrence's style relates to impressionism, expressionism, primitivism, and futurism. Stewart examines Lawrence's painterly vision in The White Peacock, Sons and Lovers, The Rainbow, Women in Love, Kangaroo, and The Plumed Serpent. Stewart's final three chapters deal with the influence exerted on Lawrence's fiction by the work of Van Gogh, Cezanne, Gauguin, and the Japanese artists Hokusai and Hiroshige. He concludes by synthesizing the themes that pervade this interarts study: vision and expression, art and ontology. -- Provided by publisher.
600 10 $aLawrence, D. H.$q(David Herbert),$d1885-1930$xCriticism and interpretation.
600 16 $aLawrence, D. H.$q(David Herbert),$d1885-1930$xCritique et interprétation.
600 17 $aLawrence, D. H.$q(David Herbert),$d1885-1930$2fast$0(OCoLC)fst00031306
650 7 $aLITERARY CRITICISM$xEuropean$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 4 $aElectronic books.
650 7 $aEnglish Literature.$2hilcc
650 7 $aEnglish.$2hilcc
650 7 $aLanguages & Literatures.$2hilcc
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aStewart, Jack, 1935-$tVital art of D.H. Lawrence.$dCarbondale : Southern Illinois University Press, ©1999$z0809321688$w(DLC) 98026124$w(OCoLC)39256137
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856 40 $3Lakeland College Access$uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=e000xna&AN=11620$z(Unlimited Concurrent Users)$zfrom EBSCO Academic Collection
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