Blues legacies and Black feminism

Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday

  • 4.0 (1 rating)
  • 77 Want to read
  • 3 Currently reading
  • 1 Have read
Preview
Nearby Libraries

Only a preview is available.


Only you can see this

Save Note
  • 77 Want to read
  • 3 Currently reading
  • 1 Have read

Last edited by MARC Bot
January 19, 2026 | History

Blues legacies and Black feminism

Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday

  • 4.0 (1 rating)
  • 77 Want to read
  • 3 Currently reading
  • 1 Have read

Jazz, it is widely accepted, is the signal original American contribution to world culture. Angela Davis shows us how the roots of that form in the blues must be viewed not only as a musical tradition but as a life-sustaining vehicle for an alternative black working-class collective memory and social consciousness profoundly at odds with mainstream American middle-class values.

And she explains how the tradition of black women blues singers - represented by Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday - embodies not only an artistic triumph and aesthetic dominance over a hostile popular music industry but an unacknowledged proto-feminist consciousness within working-class black communities.

Through a close and riveting analysis of these artists' performances, words, and lives, Davis uncovers the unmistakable assertion and uncompromising celebration of non-middle-class, non-heterosexual social, moral, and sexual values.

Publish Date
Publisher
Pantheon Books
Language
English
Pages
427

Previews available in: English

Book Details


Edition Notes

Includes bibliographical references and index.

Published in
New York

Classifications

Dewey Decimal Class
782.421643/082
Library of Congress
ML3521 .D355 1998

The Physical Object

Pagination
xx, 427 p. :
Number of pages
427

Edition Identifiers

Open Library
OL686114M
ISBN 10
067945005X
LCCN
97033021
OCLC/WorldCat
37418303
LibraryThing
3902347
Goodreads
339198

Work Identifiers

Work ID
OL2709379W

Work Description

From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture. The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith -- published here in their entirety for the first time -- Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a consciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph. -- Back cover.

Excerpts

Like most forms of popular music, African-American blues lyrics talk about love.
added anonymously.

Community Reviews (0)

No community reviews have been submitted for this work.

Lists

Download catalog record: RDF / JSON / OPDS |

Wikipedia citation

Copy and paste this code into your Wikipedia page.

{{cite book|author=Angela Y. Davis |date=1998 |title=Blues legacies and Black feminism |url=https://archive.org/details/blueslegaciesbla00davi |publication-place=New York |publisher=Pantheon Books |isbn=0-679-45005-X |lccn=97033021 |oclc=37418303 |ol=686114M}}