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Jedna garancija za nenverovatan uspeh naučno orijentisane knjige jeste da je njen autor, Oliver Saks, jedini lekar današnjice koji u najvažnijim stručnim časopisima objavljuje kratke priče i s izuzetnim literarnim darom svoje knjige ispunjava povestima osoba s najneobičnijim neurološkim simptomima: čoveka koji ne razlikuje predmete koje svakodnevno koristi, hirurga koji ima jake tikove sve vreme osim kad operiše, slikara koji u nesreći gubi mogućnost opažanja boja; zajednice osoba koje ne čuju govor ali su razvile sopstveni jezik, ili stanovnika malog pacifičkog ostrva koji uopšte ne raspoznaju boje; ponekad sebe samog, ne samo u formi memoara, već i nakon ozbiljne povrede nogu …
Ni Saks, međutim, ne bi mogao da očekuje takvo interesovanje čitalaštva da njegova tema ovog puta nije povezanost muzike i mozga. Njegove priče pokazuju kako (ponekad i zašto) mozak čini da neko ima apsolutni sluh, a neko ne može da čuje melodiju već opaža samo izolovane tonove. Još upečatljivije, Saks detaljno opisuje kako muzika može makar na trenutak da probudi sećanja u osobama obolelim od Alchajmerove bolesti ili da unese red u život s Parkisonovom bolešću. Objašnjenje izuzetne moći muzike Saks prevodi na novi plan: izgleda da nema nijednog fenomena koji zahteva veću integraciju moždanih struktura i angažuje više moždanih procesa.
U Muzikofiliji, životnih priča je više nego u ranijim Saksovim knjigama, pa može izgledati da je pristup površniji. Jedini razlog za to je čista zaljubljenost: Saks je od detinjstva obožavao Baha i očigledno je priče o muzici i mozgu skupljao celog života.
Source: http://clio.rs/MUZIKOFILIJA-price-o-muzici-i-mozgu_Knjiga_772
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Subjects
psychology, Alzheimer’s disese, amnesia, Parkinson’s disease, amusia, Williams syndrome, Musicophilia, the brain, the human experience, medical, neurology, psychiatry, neuropsychology, music philosophy, self-help, personal growth, Physiological aspects of Music, Psychological aspects of Music, Nonfiction, Psychological aspects, Music, Physiological aspects, Neurologische aspecten, Muziekpsychologie, Aspect physiologique, Aspect psychologique, Music Therapy, Musique, Music, psychological aspects, Music, physiological aspects, Brain, Physiology, Auditory Perception, Musikpsychologie, Musik, Physiologie, nyt:paperback-nonfiction=2008-10-19, New York Times bestseller, New York Times reviewed, Psychology, Williams Syndrome, Parkinson Disease, Alzheimer DiseasePeople
Oliver Sacks, Harry SShowing 9 featured editions. View all 36 editions?
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Musicophilia: Tales of Music and the Brain
2008, Alfred A. Knopf
Hardcover
in English
- 16th printing
1400040817 9781400040810
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Musicofilia: racconti sulla musica e il cervello
2008, Adelphi Edizioni
in Italian
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Musicophilia: Tales of Music and the Brain
2008, Vintage Canada
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0676979793 9780676979794
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Musicophilia: Tales of Music and the Brain
2008-09, Vintage Books
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1400033535 9781400033539
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Musicophillia: Tales of Music and the Brain
2007-11, Alfred A. Knopf
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Musicophilia: Tales of Music and the Brain
2007, Picador
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Musicophilia: Tales of Music and the Brain
2007, Knopf
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Musicophilia: Tales of Music and the Brain
2007-11, Alfred A. Knopf
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Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does–humans are a musical species.
Oliver Sacks’s compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people–from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome who are hypermusical from birth; from people with “amusia,” to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds–for everything but music.
Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson’s disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer’s or amnesia.
Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.
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Links outside Open Library
- Musicophilia | Oliver Sacks, M.D. (oliversacks.com)
- Musicophilia - Wikipedia
- Music of the hemispheres (theguardian.com)
- Via 'Musicophilia,' Sacks Studies Music and the Brain: NPR
- Power to Soothe the Savage Breast and Animate the Hemispheres - The New York Times
- New York Times review
- New York Times review
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May 30, 2024 | Edited by MARC Bot | update deprecated language code scc -> srp |
June 10, 2018 | Edited by Lisa | Added edition. |
June 10, 2018 | Edited by Lisa | Added new cover |
June 10, 2018 | Created by Lisa | Added new book. |