An edition of Comedy and the public sphere
(2012)
Comedy and the public sphere
the rebirth of theatre as comedy and the genealogy of the modern public arena
by Árpád Szakolczai
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Comedy and the public sphere: the rebirth of theatre as comedy and the genealogy of the modern public arena
2012, Routledge
in English
041562391X 9780415623919
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Book Details
Table of Contents
Introduction
The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance
Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage
Ridiculing as public weapon
The rebirth of theatre as comedy out of the spirit of the Byzantium
The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit
The rise of theatre in Venice
The effect mechanism of Commedia dell'Arte: visions and realities of commedification
Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types
Shakespeare: the tragedy of world history being a comedy
Representing representation: visionary images of Commedia dell'Arte
The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim
Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary
Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold
Conclusion.
Edition Notes
Includes bibliographical references and index.
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- Created May 30, 2012
- 6 revisions
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| August 27, 2024 | Edited by MARC Bot | import existing book |
| December 15, 2022 | Edited by MARC Bot | import existing book |
| October 18, 2020 | Edited by MARC Bot | import existing book |
| October 13, 2020 | Edited by ImportBot | import existing book |
| May 30, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |