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"This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color such as Hitchcock, Jarman and Sirk as well as others whose use of color has not yet been explored in such detail including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large"--
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Subjects
Color cinematography, History, PERFORMING ARTS / Film & Video / General, SOCIAL SCIENCE / Media Studies, PERFORMING ARTS / Film & Video / History & Criticism, Color motion pictures, Cinéma en couleurs, Histoire, PERFORMING ARTS, Film & Video, History & Criticism, General, SOCIAL SCIENCE, Media Studies, Reference, Film, Farbe, Filmästhetik, FilmtheorieEdition | Availability |
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Color and the Moving Image: History, Theory, Aesthetics, Archive
2013, Taylor & Francis Group
in English
1136307885 9781136307881
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2
Color and the Moving Image: History, Theory, Aesthetics, Archive
2013, Taylor & Francis Group
in English
1136307893 9781136307898
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3
Color and the moving image: history, theory, aesthetics, archive
2012, Routledge
in English
0415892635 9780415892636
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Book Details
Edition Notes
Includes bibliographical references and index.
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History
- Created February 1, 2012
- 13 revisions
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July 28, 2025 | Edited by MARC Bot | import existing book |
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February 1, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |