An edition of Hegel and the English romantic tradition (2015)

Hegel and the English romantic tradition

by Wayne George Deakin

Wayne George Deakin, Wayne Geo ...

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December 21, 2022 | History

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An edition of Hegel and the English romantic tradition (2015)

Hegel and the English romantic tradition

"In Hegel and the English Romantic Tradition, Wayne Deakin re-examines English Romanticism through the philosophy of G.W.F. Hegel. Outlining and expanding upon Hegel's theory of recognition, Deakin critiques four canonical writers of the English Romantic tradition - Coleridge, Wordsworth, P.B. Shelley and Mary Shelley - and argues that they, as Hegel, are engaged in a struggle towards philosophical recognition. The fresh approach offers the possibility of re-reading these writers in new and innovative ways, whilst at the same time critiquing Hegel's own philosophy of mind and challenging his hierarchy of philosophy, religion, art. The book also examines previous criticisms such as those of McGann, Butler, Mellor and Abrams and claims that all of these theories of Romanticism are complimentary and can be subsumed by this new model of 'philosophical romanticism'"--

Publish Date

2015

Publisher

Palgrave Macmillan

Language

English

Pages

198

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1 Hegel and the English romantic tradition 2015, Palgrave Macmillan in English 1137482176 9781137482174	aaaa Locate

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Book Details

Machine generated contents note:

Introduction

i. A Discrimination of Vriticisms

ii. Why 'philosophical romanticism'

iii. Romantic Embodiment

iv. Chapter Breakdown

PART I: HEGELIAN ROMANTICISM AND THE SYMBIOTIC ALTERITY OF AUTONOMY AND RECEPTIVITY

1.1 Introduction

1.2 Hegel's Conception of Recognition in an Aesthetic Light

1.3 Hegel's Response to Romantic Art

1.4 Hegel and Romantic Metaphysics

1.5 Hegel's Aesthetics in the Modern Context

PART II: PHILOSOPHY, THEOLOGY AND INTELLECTUAL INTUITION IN COLERIDGE'S POETICS

2.1 Introduction

2.2 Coleridge's Philosophical Dichotomy

2.3 Coleridge's Theological Escape from Aporia

2.4 Symbol and Allegory in Coleridge

2.5 The Deconstruction of Allegory and Symbol in 'Kubla Khan'

2.6 The Antagonists of the Imagination in 'Kubla Khan'

2.7 Coleridge's 'unhappy consciousness' in 'Frost at Midnight'

2.8 The Aporetic Recognition through Joy in 'Dejection'

2.9 Recognitive Breakdown in 'Constancy to an Ideal Object'

PART III: WORDSWORTH'S METAPHYSICAL EQUIPOISE

3.1 Introduction

3.2 Wordsworth and Romantic Metaphysics

3.3 Wordsworth's Ladder

3.4 Dialectical Criticism of Wordsworth

3.5 Contingency and Embodiment

3.6 Doubt and Embodiment in 'Lines written a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour, July 13, 1798.'

3.7 'Home' at Grasmere: Embodiment

3.8 The Unifying Nature of the Wordsworthian Symbol

3.9 Conclusion

PART IV: DIALECTICAL COLLAPSE AND POST-ROMANTIC RECOGNITION IN SHELLEY

4.1 Introduction

4.2 Shelley's Quest for the Imagination upon Mont Blanc

4.3 Visionary Alienation in 'Alastor'

4.4 Eschatological Projection in 'Adonais'

4.5 Wonder, Transfiguration and Irony in 'The Triumph of Life'

PART V: THE CONTINGENT LIMITS OF ROMANTIC MYTH MAKING

5.1 Introduction

5.2 The Romantic Discourse of Wordsworth and Coleridge

5.3 Shelley's Second-order Discourse

5.4 Embodied Scepticism: Frankenstein

5.5 Conclusion.

Edition Notes

Includes bibliographical references (pages 189-194) and index.

Published in: Houndmills, Basingstoke, Hampshire, New York, NY

Classifications

Dewey Decimal Class: 820.9/384
Library of Congress: PR448.P5 D43 2015, PN1010-PN1551BH1-301

The Physical Object

Pagination: ix, 198 pages
Number of pages: 198

Edition Identifiers

Open Library: OL30391029M
ISBN 13: 9781137482174
LCCN: 2015001638
OCLC/WorldCat: 893522168

Work Identifiers

Work ID: OL22313448W

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Hegel and the English romantic tradition

by Wayne George Deakin