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"Why, despite the number of high profile female rock musicians, does rock continue to be understood as masculine? Why is rock generally assumed to be created and performed by men? Marion Leonard explores different representations of masculinity offered by, and performed through, rock music, and examines how female rock performers negotiate this gendering of rock as masculine. A major concern of the book is not specifically with men or with women performing rock, but with how notions of gender affect the everyday experiences of all rock musicians within the context of the music industry."--Jacket.
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Previews available in: English
Subjects
Gender identity, Music, history and criticism, Women musicians, Alternative rock music, History and criticism, Women rock musicians, Riot grrrl movement, Social aspects, Rock alternatif, Histoire et critique, Aspect social, Musiciennes rock, Riot grrrl (Mouvement), Identité sexuelle, Sex role, Indie-Pop, Riot grrrl, Rockmusikerin, Rockmusik, Musikwirtschaft, Indie, Popmuziek, Sekseverschillen, Populärmusik, Rock, Musiker, Mansdominerade yrken, Genus, Musikbranschen, Genusaspekter, Kvinnliga rockmusiker, MUSIC, Instruction & Study, Theory, Alternative rock music--history and criticism, Alternative rock music--social aspects, Ml3534 .l456 2007, 781.66082Edition | Availability |
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Gender in the Music Industry (Ashgate Popular & Folk Music)
August 30, 2007, Ashgate Pub Co
Paperback
in English
0754638626 9780754638629
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