Virginia Woolf icon
by Brenda R. Silver
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"This is a book about "Virginia Woolf": the face that sells more postcards than any other at Britain's National Portrait Gallery, the name that Edward Albee's play linked with fear, the cultural icon so rich in meanings that it has been used to market everything from the New York Review of Books to Bass Ale to the Communist Party in Rome. Brenda R. Silver uncovers and analyzes the extensive representations of Virginia Woolf that have circulated in Anglo-American culture for the past thirty-five years.
The proliferation of Virginia Woolfs in both high and popular culture, she argues, has transformed the writer into a "star" whose image and authority are persistently claimed or challenged in debates about art, politics, gender, the canon, class, feminism, and fashion."--BOOK JACKET.
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Appreciation, Criticism and interpretation, Fear, Fear in literature, Feminism and literature, History, Public opinion, Women and literature, Women in popular culture, Woolf, virginia, 1882-1941, Public opinion, great britain, Public opinion, united states, Women authors, Literary criticism, Appreciationwoolf, virginia , 1882-1941, Criticism and interpretation--historywoolf, virginia , 1882-1941, Women in popular culture--history, Women in popular culture--great britain--history--20th century, Women in popular culture--united states--history--20th century, Public opinion--history, Public opinion--great britain--history--20th century, Public opinion--united states--history--20th century, Feminism and literature--public opinion, Women and literature--public opinion, Women novelists--public opinion, Fear--public opinion, Pr6045.o72 z87633 1999, 823/.912, Women novelistsPeople
Virginia Woolf (1882-1941)Times
20th centuryShowing 1 featured edition. View all 1 editions?
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Includes bibliographical references (p. [285]-335) and index.
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