Mis-reading the creative impulse
the poetic subject in Rimbaud and Claudel, restaged
by Adrianna M. Paliyenko
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Building on work by Aristotle, Jacques Lacan, and Harold Bloom, Adrianna M. Paliyenko's richly textured study revises our previous understanding of Arthur Rimbaud's (1854-1891) indirect artistic influence on Paul Caudel (1868-1955).
Paliyenko's analysis answers to critical readings that rely on speculative spiritual affinities and text-surface similarities to identify Claudel as Rimbaud's artistic follower. She follows the two writers' development of the poetic subject, striving to map Claudel's "creative corrections," or revisions, of Rimbaud's work. In redirecting discussion of Rimbaud's work, she develops a Bloomian paradigm of how creative artists strive for originality by correcting or revising their predecessors.
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Mis-reading the creative impulse: the poetic subject in Rimbaud and Claudel, restaged
1997, Southern Illinois University Press
in English
080932122X 9780809321223
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Includes bibliographical references (p. 185-197) and index.
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