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William C. Scott extends concepts set forth in his Goodwin Award-winning Musical Design in Aeschylean Theater (1984) by examining scansion patterns in the odes of the seven surviving Sophoclean tragedies. Analyzing the play as performed--its full expression in words, music, and dance--Scott finds that Sophocles' metrical patterns are not a secondary detail of the plays but a central feature of their musical organization.
Publish Date
1996
Publisher
Dartmouth College,
University Press of New England
Language
English
Pages
330
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Previews available in: English
Subjects
Chorus (Greek drama), Drama, Dramatic production, Greek and Roman Music, Greek drama, History and criticism, Incidental music, Music, Greek and Roman, Stage history, Tragedy, Tragedies, Metriek, MUSIC, Greek drama (Tragedy), Theater, Grieks, Theory, Koren (letterkunde), Instruction & Study, Muziek, Sophocles, Music, greek and romanPeople
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Musical design in Sophoclean theater
1996, Dartmouth College, University Press of New England
in English
0874517397 9780874517392
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Edition Notes
Includes bibliographical references (p. [319]-320) and index.
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