An edition of Dialogue editing for motion pictures (2014)

Dialogue editing for motion pictures

a guide to the invisible art

2nd ed.

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Cover of: Dialogue editing for motion pictures by John Purcell
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Last edited by MARC Bot
December 16, 2022 | History
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An edition of Dialogue editing for motion pictures (2014)

Dialogue editing for motion pictures

a guide to the invisible art

2nd ed.

by

  • 0 Ratings
  • 2 Want to read
  • 0 Currently reading
  • 0 Have read

"In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: - A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing - Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box"--Fresh approaches to working with digital video and to moving projects from one workstation to another - An insider's analysis of what happens on the set, and how that affects the dialogue editor - Discussions about the interweaving histories of film sound technology and film storytelling - Eye-opening tips, tricks, and insights from film professionals around the globe - A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don't allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell's all-inclusive guide to this essential yet invisible art"--

Publish Date
Publisher
Focal Press
Language
English
Pages
448

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Previews available in: English

Subjects
Motion pictures, Film & Video, PERFORMING ARTS, ART, Filmmusik, Reference, Sound motion pictures, Montage, General, Sound effects, Dialog, Sound, Film, Motion pictures, sound effects, PERFORMING ARTS / Film & Video / General, Cinéma, Effets sonores, Films sonores

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Edition Availability
Cover of: Dialogue editing for motion pictures
Dialogue editing for motion pictures: a guide to the invisible art
2014, Focal Press
in English - 2nd ed.
Libraries near you: WorldCat

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Book Details

Table of Contents

Cover; Dialogue Editing for Motion Pictures; Title Page; Copyright Page; Table of Contents; Preface to the Second Edition; Preface; Acknowledgments; 1 What Is Dialogue Editing?; 2 The Story of Production Sound; Introduction; Success Has Many Fathers; Early Attempts at Sound in Movies; Feature-length Talkies; The Modern Era; 3 Film Sound Workflows: Then and Now; Classic Film Workflows; Single System Workflows; Film/Video Hybrid Workflows; Working in an NTSC Environment; Working in a PAL Environment; Digital Cinema; 4 On the Set; The Picture Team; The Sound Team; Other Departments at the Shoot.
Sound EquipmentSyncing Picture and Sound on the Set; Sound Reports; Getting What You Need; Give the Post-Production Team What They Need; 5 The Sound Department; 6 A Quick Look at Picture Editing; 7 Moving the Film from Picture to Sound; The Picture Cutting Room; What You Need in Order to Get Started; A Brief Detour to Understand How Film Became Digital; Exporting and Importing Sessions Using OMF/AAF; The Edit Decision List; Metadata; Performing the Assembly; Filenames; Back Up Your Files; 8 Working with Picture; A Brief History of Editing Sound Locked to Picture.
The Trouble with Digital PictureTimecode Burn-Ins; 9 The First Screening; 10 Setting Up Your Editing Universe; The Monitor Chain; Sync Now!; Preparing Your Editing Workspace; Eliminating Redundant Regions; Scenes; Beeps, Tones, and Leaders; Wild Sound; 11 Editing Dialogue Tracks; Organizing Tracks; Scene-to-Scene Splits; Where to Edit; Shot Balancing; Room Tone; Shot Transitions: Basic Rules of Thumb; Working With Many Channels of Dialogue; Making Sense of a Scene; Production Sound Effects; Making Guide Tracks; Editing Dialogue for Television; 12 Image, Depth, and Perspective.
Dialogue in the SoundscapeDepth; Focusing on One Character in a Group; Perspective; Choosing the Crossfade; 13 Dialogue Editing Tips and Tricks; 14 Dealing with Noise; What is Noise?; Transient Noises; Fixing Transient Noises; Alternate Takes; Reducing Ambient Noises; To Process or Not to Process; 15 ADR; Replacing What Cannot be Fixed; Looping, ADR, and Postsync; Preparing for ADR; Organizing the ADR Process; The ADR Recording Session; Preparing Dialogue Tracks for ADR Editing; ADR Editing; Group Loop; Matching ADR to Production Sound; 16 Managing Your Time; Ask the Right Questions.
Set Daily GoalsEstimate How Long the Editing Will Take; 17 Editing Production Sound for Documentaries; Documentary Sound Challenges; The Documentary Workspace; Typical Documentary Problems; Production Sound Effects; 18 When the Picture Changes; The Reconform Defined; Automated Reconforms; Manual Reconforms; 19 Preparing for the Mix; Talk to the Mixer; Check the Final Picture; Moving from One Platform to Another; Dealing With the Details; Packaging Dialogue Elements; Close the Cutting Room and Back Up the Project; 20 The Dialogue Premix; Premix Goals; Planning the Premix.

Edition Notes

Includes bibliographical references and index.

Published in
Burlington, MA

Classifications

Dewey Decimal Class
791.43
Library of Congress
TR897, TR897.P7975 2014, TR897 .P7975 2014, TR897 .P7975 2013

The Physical Object

Pagination
1 online resource
Number of pages
448

ID Numbers

Open Library
OL28267512M
Internet Archive
dialogueeditingf0002purc
ISBN 10
1135040591, 020378457X, 1135040605, 0415828171, 1135040583, 1138126713
ISBN 13
9781135040598, 9780203784570, 9781135040604, 9780415828178, 9781135040581, 9781138126718
LCCN
2013007570
OCLC/WorldCat
854761125

Source records

Internet Archive item record
Better World Books record
Better World Books record
Library of Congress MARC record
Better World Books record
Better World Books record
Better World Books record
Better World Books record
marc_columbia MARC record
ISBNdb

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December 16, 2022 Edited by MARC Bot import existing book
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