An edition of Wagner, Schumann, and the lessons of Beethoven's Ninth
(2015)
Wagner, Schumann, and the lessons of Beethoven's Ninth
by Christopher A. Reynolds
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"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher.
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Subjects
Influence, Criticism and interpretation, Symphonies, Analysis, appreciation, Beethoven, ludwig van, 1770-1827, Wagner, richard, 1813-1883, Schumann, robert, 1810-1856, Symphonies, analysis, appreciation, Influence (Literary, artistic, etc.), Symphonies (Beethoven, Ludwig van)Times
19th centuryShowing 1 featured edition. View all 1 editions?
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Book Details
Table of Contents
Wagner's Faustian understanding of Beethoven's Ninth
The impact of the Ninth on the Flying Dutchman
Wagner, thematic dispersion, and contrary motion
Schumann, thematic dispersion, and contrary motion
Late Schumann, Wagner, and Bach
Brahms's triple response to the Ninth
Wagner and Schumann
Appendix 1. Citations of Wagner's possible allusions and influences in The flying Dutchman
Appendix 2. Contrary motion counterpoint in the first movement of Beethoven's Ninth symphony
Appendix 3. Contrary motion counterpoint in The flying Dutchman
Appendix 4. Contrary motion counterpoint in the fourth movement of Schumann's Second symphony
Appendix 5. Contrary motion counterpoint in the first movement of Brahm's First symphony.
Edition Notes
Includes bibliographical references (pages 199-206) and index.
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| December 21, 2022 | Edited by MARC Bot | import existing book |
| August 4, 2020 | Edited by ImportBot | import existing book |
| July 19, 2019 | Created by MARC Bot | import new book |