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"The theatrical works of Millay, Cummings, and Dos Passos, which have largely been marginalized in discussions of theater history and literary scholarship, offer a hybrid theater that integrates the popular with the formal, the mainstream with the experimental. Fahy examines the integration of and challenges to popular culture found in their works and offers new readings with an eye to American cultural studies and the impact of mass entertainment on modern life"--
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Previews available in: English
Subjects
Popular culture in literature, LITERARY CRITICISM / Drama, American Experimental drama, Popular culture, History and criticism, American drama, Dramatic works, PERFORMING ARTS / Theater / History & Criticism, PERFORMING ARTS / Theater / Playwriting, Experimental theater, History, Millay, edna st. vincent, 1892-1950, Cummings, e. e. (edward estlin), 1894-1962, Dos passos, john, 1896-1970, American drama, history and criticism, 20th century, Experimental drama, history and criticism, Popular culture, united states, Theater, united states, historyPlaces
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Staging modern American life: popular culture in the experimental theatre of Millay, Cummings, and Dos Passos
2011, Palgrave Macmillan
in English
0230115950 9780230115958
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Book Details
Table of Contents
Introduction
"I cannot live without a macaroon!" : food, hunger, and the dangers of modern American culture in Edna St. Vincent Millay's Aria da Capo and other plays
"Damn everything but the circus!" : the ambiguous place of popular culture in E. E. Cummings' Him
Planes, trains, and automobiles : technology and the suburban nightmare in the plays of John Dos Passos
Conclusion.
Edition Notes
Includes bibliographical references.
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