An edition of Transnational encounters (2011)

Transnational encounters

music and performance at the U.S.-Mexico border

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Cover of: Transnational encounters by Alejandro L. Madrid-González
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Last edited by ImportBot
February 28, 2023 | History
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An edition of Transnational encounters (2011)

Transnational encounters

music and performance at the U.S.-Mexico border

by

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

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Publish Date
Publisher
Oxford University Press, Oxford University Press, USA
Language
English
Pages
406

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Previews available in: English

Subjects
Folk music, Popular music, Music, History and criticism, Transnationalism, History, Popular music, history and criticism, Folk music, history and criticism, Music, social aspects, Music, mexican
Places
Mexican-American Border Region

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Edition Availability
Cover of: Transnational encounters
Transnational encounters: music and performance at the U.S.-Mexico border
2011, Oxford University Press, Oxford University Press, USA
in English
Libraries near you: WorldCat

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Book Details

Table of Contents

Border meanings.
Reggae on the border: the possibilities of a Frontera soundscape -- Luis Alvarez
Breaking borders/quebrando fronteras: dancing in the borderscape -- Sydney Hutchinson
Narcocorridos: narratives of a cultural persona and power on the border -- Mark C. Edberg -- Nationalisms.
Mariachi reimaginings: encounters with technology, aesthetics, and identity -- Donald Henriques
"This is our música, guy!": Tejanos and ethno/regional musical nationalism -- José E. Limón -- Indigeneity and Modernity.
Re-localized rap and its representation of the hombre digno -- Helena Simonett
Waila as transnational practice -- Joan Titus -- Cultural citizenship and rights.
Transnational identity, the signing of spirituals, and the performance of blackness among Moscogos -- Alejandro L. Madrid
Transnational cultural constructions: Cumbia music and the making of locality in Monterrey -- Jesus A. Ramos-Kittrell
Patriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival -- Margaret E. Dorsey and Miguel Díaz-Barriga -- Trans-border cosmopolitan audiotapes.
The Tijuana sound: brass, blues and the border of the 1960s -- Josh Kun
La avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism -- Ignacio Corona -- Contested identities.
New Mexico and 'Manitos at the borderlands of popular music in Greater Mexico -- Brenda M. Romero
"Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene -- Lillian Gorman -- Performing locality and gender.
From pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space -- Cathy Ragland
Dancing Reggaetón with cowboy boots-- Ramón H. Rivera-Servera.

Edition Notes

Includes bibliographical references and index.

Published in
New York

Classifications

Dewey Decimal Class
781.640972/1
Library of Congress
ML3476 .T73 2011, ML3476.T73 2011

The Physical Object

Pagination
xvi, 406 p. :
Number of pages
406

ID Numbers

Open Library
OL25136758M
Internet Archive
transnationalenc0000unse
ISBN 10
0199735921, 019973593X
ISBN 13
9780199735921, 9780199735938
LCCN
2010054537
OCLC/WorldCat
695560230

Source records

Promise Item
Library of Congress MARC record
Library of Congress MARC record
marc_openlibraries_sanfranciscopubliclibrary MARC record
Better World Books record
Better World Books record
Library of Congress MARC record
Internet Archive item record
marc_columbia MARC record
Promise Item

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History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
February 28, 2023 Edited by ImportBot import existing book
February 28, 2023 Edited by ImportBot import existing book
February 11, 2023 Edited by BWBImportBot Modified local IDs, source records
January 14, 2023 Edited by ImportBot import existing book
December 28, 2011 Created by LC Bot Imported from Library of Congress MARC record