MARC record from Internet Archive

LEADER: 02975cam a22003374a 4500
001 2010054537
003 DLC
005 20130219140047.0
008 101230s2011 nyuab b 001 0 eng
010 $a 2010054537
016 7 $a015884325$2Uk
020 $a9780199735921 (hardcover : alk. paper)
020 $a0199735921 (hardcover : alk. paper)
020 $a9780199735938 (pbk. : alk. paper)
020 $a019973593X (pbk. : alk. paper)
035 $a(OCoLC)ocn695560230
040 $aDLC$cDLC$dYDX$dYDXCP$dUKMGB$dTDF$dBWX$dCOO$dWTU$dDEBBG$dDLC
042 $apcc
043 $an-ust--$an-mx---
050 00 $aML3476$b.T73 2011
082 00 $a781.640972/1$222
084 $a9,2$2ssgn
245 00 $aTransnational encounters :$bmusic and performance at the U.S.-Mexico border /$cedited by Alejandro L. Madrid.
260 $aNew York :$bOxford University Press,$cc2011.
300 $axvi, 406 p. :$bill., maps ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 00 $gBorder meanings.$tReggae on the border: the possibilities of a Frontera soundscape$rLuis Alvarez$tBreaking borders/quebrando fronteras: dancing in the borderscape$rSydney Hutchinson$tNarcocorridos: narratives of a cultural persona and power on the border$rMark C. Edberg$gNationalisms.$tMariachi reimaginings: encounters with technology, aesthetics, and identity$rDonald Henriques$t"This is our música, guy!": Tejanos and ethno/regional musical nationalism$rJosé E. Limón$gIndigeneity and Modernity.$tRe-localized rap and its representation of the hombre digno$rHelena Simonett$tWaila as transnational practice$rJoan Titus$gCultural citizenship and rights.$tTransnational identity, the signing of spirituals, and the performance of blackness among Moscogos$rAlejandro L. Madrid$tTransnational cultural constructions: Cumbia music and the making of locality in Monterrey$rJesus A. Ramos-Kittrell$tPatriotic citizenship, the border wall, and the "El Veterano" Conjunto Festival$rMargaret E. Dorsey and Miguel Díaz-Barriga$gTrans-border cosmopolitan audiotapes.$tThe Tijuana sound: brass, blues and the border of the 1960s$rJosh Kun$tLa avanzada regia: Monterrey's alternative music scene and the aesthetics of transnationalism$rIgnacio Corona$gContested identities.$tNew Mexico and 'Manitos at the borderlands of popular music in Greater Mexico$rBrenda M. Romero$t"Todos me llaman El Gringo": place, identity, and erasure within the New Mexico Hispano music scene$rLillian Gorman$gPerforming locality and gender.$tFrom pistol-packing pelado to border crossing mojado: El Piporro and the making of a "Mexican" border space$rCathy Ragland$tDancing Reggaetón with cowboy boots$rRamón H. Rivera-Servera.
650 0 $aPopular music$zMexican-American Border Region$xHistory and criticism.
650 0 $aFolk music$zMexican-American Border Region$xHistory and criticism.
650 0 $aMusic$xSocial aspects$zMexican-American Border Region.
700 1 $aMadrid, Alejandro L.