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The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
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Subjects
Italian Drawing, High Renaissance Art, Exhibitions, Drawing, italian, Drawing, exhibitions, Raphael, 1483-1520Places
ItalyTimes
16th centuryShowing 2 featured editions. View all 2 editions?
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Book Details
Table of Contents
Edition Notes
Includes bibliographical references (pages 251-254).
"Raphael: The Drawings" : June 1-September 3, 2017, Ashmolean Museum, Oxford, England, United Kingdom.
Text in English.
Catalog of an exhibition held at Ashmolean Museum, Oxford, Jun. 1-Sept. 3, 2017.
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The Physical Object
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- Created May 24, 2019
- 3 revisions
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July 17, 2024 | Edited by ImportBot | import existing book |
December 19, 2022 | Edited by MARC Bot | import existing book |
May 24, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |