MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04580cam a2200745Ii 4500
001 ocn960495559
003 OCoLC
005 20181126142529.0
008 161018s2017 enkaco g bc 000 0 eng d
020 $a9781910807156$q(paperback)
020 $a191080715X$q(paperback)
029 1 $aAU@$b000060030360
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035 $a(OCoLC)960495559
037 $bAcc Pub Group, Oreil Customer Service Dept C/O Natl Book Network 15200 Nbn Way Bldg B Po Box 190, Blue Ridge Summit, PA, USA, 17214-0190$nSAN 630-0065
040 $aYDX$beng$erda$cYDX$dBDX$dOCLCQ$dERASA$dYDX$dOCLCF$dOCLCO$dSNN$dBRL$dNLGGC$dOCL$dCNNGC$dFDA$dMNW$dNARDE$dCHVBK$dEUM$dOCLCO$dL2U$dOCLCQ$dOCLCO$dVOD$dOCLCQ$dOCLCO$dOCLCA$dXMC$dUKOBU$dOCLCA$dUBY$dOCLCA$dSFR$dUtOrBLW
043 $ae-it---
049 $aSFRA
050 4 $aNC257.R3$bA4 2017
082 04 $a741
092 $a741.945$bR12w
100 1 $aWhistler, Catherine,$eauthor.
245 10 $aRaphael :$bthe drawings /$cCatherine Whistler and Ben Thomas, with Achim Gnann and Angelamaria Aceto.
264 1 $aOxford :$bAshmolean Museum,$c2017.
300 $a256 pages :$billustrations (some color), portraits, photographs ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aText in English.
585 $aCatalog of an exhibition held at Ashmolean Museum, Oxford, Jun. 1-Sept. 3, 2017.
504 $aIncludes bibliographical references (pages 251-254).
505 0 $aIntroduction: Raphael and drawing's Eloquence / Catherine Whistler and Ben Thomas -- Raphael: a chronology / Angelamaria Aceto -- Raphael's materials and techniques / Angelamaria Aceto -- Raphael's hands / Catherine Whistler -- Raphael and the idea of drawing / Ben Thomas -- Raphael's drawings and the design process / Achim Gnann -- Catalogue -- Appendix: Two sonnets, Raphael as a poet-lover / Angelamaria Aceto.
518 $o"Raphael: The Drawings" :$dJune 1-September 3, 2017,$pAshmolean Museum, Oxford, England, United Kingdom.
520 8 $aThe selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
600 00 $aRaphael,$d1483-1520$vExhibitions.
600 07 $aRaphael,$d1483-1520.$2fast$0(OCoLC)fst00033853
600 07 $aRaffaello,$cSanzio,$d1483-1520.$2gnd$0(DE-588)118597787
600 04 $aRaphael,$d1483-1520.
650 0 $aDrawing, Italian$y16th century$vExhibitions.
650 0 $aArt, High Renaissance$zItaly$y16th century$vExhibitions.
655 7 $aExhibition catalogs.$2lcgft
655 7 $aIllustrated works.$2lcgft
700 1 $aThomas, Ben$q(Benjamin David Harwood),$eauthor.
700 1 $aGnann, Achim,$eauthor.
700 1 $aAceto, Angelamaria,$eauthor.
700 0 $aRaphael,$d1483-1520,$eartist.
710 2 $aAshmolean Museum,$eissuing body,$eorganizer,$ehost institution.
710 2 $aGraphische Sammlung Albertina,$eorganizer.
752 $aUnited Kingdom$bEngland$dOxford.
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938 $aErasmus Boekhandel$bERAA$nNTS0000244304
938 $aLibreria già Nardecchia$bNARD$nD0977055456
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