An edition of American Film (1975)

American Film, Volume VI, Number 6

April 1981

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Last edited by Vinnie Rattollee
December 5, 2016 | History
An edition of American Film (1975)

American Film, Volume VI, Number 6

April 1981

  • 0 Ratings
  • 27 Want to read
  • 2 Currently reading
  • 0 Have read

$2.00 cover price. Fred Astaire cover photo; inner back cover features an ad for "The Howling."

Publish Date
Language
English
Pages
80

Buy this book

Previews available in: English

Edition Availability
Cover of: American Film, Volume VII, Number 9
American Film, Volume VII, Number 9: July-August 1982
July 1982, American Film Institute
Magazine in English
Cover of: American Film, Volume VIII, Number 2
American Film, Volume VIII, Number 2: November 1982
November 1982, American Film Institute
Magazine in English
Cover of: American Film, Volume VI, Number 6
American Film, Volume VI, Number 6: April 1981
April 1981, American Film Institute
Magazine in English
Cover of: American Film, Volume VI, Number 3
American Film, Volume VI, Number 3: December 1980
December 1980, American Film Institute
Magazine in English
Cover of: American Film, Volume II, Number 1
American Film, Volume II, Number 1: October 1976
October 1976, American Film Institute
Magazine in English
Cover of: American Film, Volume 1, Number 4
American Film, Volume 1, Number 4: February 1976
February 1976, American Film Institute
Magazine in English
Cover of: American Film, Volume 1, Number 9
American Film, Volume 1, Number 9: July-August 1976
July 1976, American Film Institute
Magazine in English
Cover of: American Film, Volume II, Number 3
American Film, Volume II, Number 3: December 1976-January 1977
December 1976, American Film Institute
Magazine in English
Cover of: American Film, Volume 1, Number 7
American Film, Volume 1, Number 7: May 1976
May 1976, American Film Institute
Magazine in English
Cover of: American Film, Volume 1, Number 5
American Film, Volume 1, Number 5: March 1976
March 1976, American Film Institute
Magazine in English
Cover of: American Film, Volume 1, Number 3
American Film, Volume 1, Number 3: December 1975
December 1975, American Film Institute
Magazine in English

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Book Details


Table of Contents

Ad. CBS/AFI Tribute to Fred Astaire Page 2
The Editing Room. Page 4
Ad. Video Club of America (The Fog, Brubaker, They Shoot Horses Don't They?, All That Jazz, Norma Raye, The Omen, Alien) Page 5
Newsreel. Page 6
The Duality of [Catherine] Deneuve.
Bad Scientist. Science on TV.
[Francis Ford] Coppola's Filipino Coup. "The Perfumed Nightmare"
Catalog Call. A search for early film catalogs.
[Richard] Dreyfuss Unmoved. "Whose Life is It Anyway?"
Letters. Page 9
Lehman at Large: The Producer. Einfeld exuded rugged vitality and prosperous self-assurance. About him was the aura of a man who could handle a $25 million production as easily as he could stir a cup of coffee. Page 10
Ads. "Close Encounters of the Third Kind" on home video Page 11
"Brubaker" on videocassette. Page 14
The Video Scene. Developments in programming and technology affecting the home viewer
Video Art: Paradoxes and Amusement Parks. Page 17
A Guide to Home Video Guides. Page 21
Ads. "Mary Poppins" on Home Videocassette Page 21
Magnetic Video (featuring "Alien") from Movies Unlimited Page 22
Douglas Fairbanks in "Robin Hood" at the Ohio Theatre Page 24
About Television: ABC's Finest Hour. Not only the finest thing of its kind ever done on television, but the most impressive example of reportorial initiative since Woodward and Bernstein developed the Watergate story. Page 26
Ad. Nostalgia Merchant home videos (And Now the Screaming Starts, The Vault of Horror, Asylum) Page 29
Painting with Light. Cinematographer Nestor Almendros ("The Last Metro") is suddenly the focus of international acclaim. Page 30
The Cinematographer as Superstar. Are cameramen outshining directors? Page 34
The Magic of Fred Astaire. A longtime admirer evokes the enduring spell of this year's Life Achievement Award recipient. Page 36
Alan Alda's New Direction. With "The Four Seasons," the star of "M*A*S*H" is operating not only in front of the camera but behind it, too. Page 42
Q: What do [Jack] Benny, [George] Burns, [Johnny Carson] and Bonzo have in common? A: Fred De Cordova. A profile of the man behind television's greatest comics. Page 46
The Postman Rings Again. A new film version of James M. Cain's classic novel reunites two iconoclastic friends - Bob Rafelson and Jack Nicholson. Page 50
Dialogue on Film: Perry Lafferty. NBC's head of prime-time programming discusses the hot war among the networks, what makes a series click, and why quality too often doesn't have a chance. Page 57
Why Do Critics Love Trashy Movies?. The new critical fashion: pulp, sleazy, lurid and decadent as terms of praise. Page 65
Books. Reviews
Bookish Viewer of a Light Medium. "The Camera Age: Essays on Television" by Michael J. Arlen Page 72
No Surrender, No Mercy. "The Quality of Mercy: An Autobiography" by Mercedes McCambridge Page 74
American Film Classified Ads. Page 78
From the Director. The Record is Vanishing Page 80

Edition Notes

Published in
New York, New York, USA
Series
Magazine of the Film and Television Arts
Copyright Date
1981

Contributors

Writer
Dan Yakir
Writer
Andrea Strout
Writer
Rex McGee
Writer
Ernest Lehman
Writer
J. Hoberman
Writer
Gary Arlen
Writer
Martin Mayer
Writer
Cheryl Carlesimo
Writer
Andrew Sarris
Writer
Adolph Green
Writer
Victoria Venker
Writer
Jon S. Denny
Writer
Patrick McGilligan
Contributor
Perry Lafferty
Writer
Stephen Farber

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26204861M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B008GXJUWM

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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December 5, 2016 Edited by Vinnie Rattollee Table of contents, other
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December 5, 2016 Edited by Vinnie Rattollee Edition, various
December 5, 2016 Edited by Vinnie Rattollee Added new cover
December 5, 2016 Created by Vinnie Rattollee Added new book.