An edition of American Film (1975)

American Film, Volume V, Number 9

July-August 1980

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Last edited by Vinnie Rattollee
December 3, 2016 | History
An edition of American Film (1975)

American Film, Volume V, Number 9

July-August 1980

  • 0 Ratings
  • 27 Want to read
  • 2 Currently reading
  • 0 Have read

First issue with a $2.00 cover price. Cover photo of Paul Mazursky.

Publish Date
Language
English
Pages
72

Buy this book

Previews available in: English

Edition Availability
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Cover of: American Film, Volume 1, Number 3
American Film, Volume 1, Number 3: December 1975
December 1975, American Film Institute
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Book Details


Table of Contents

The Editing Room. Page 4
Letters. Page 6
The Video Scene. Developments in programming and technology affecting the home viewer
Show Time on [Video] Cassette Page 9
A Good B.E.T. Page 12
Lehman at Large: Hitch. He was a mischievous child who took marvelous enjoyment in playing his games and letting us watch. Page 18
Point of View: Lou Grant - Too Good, Too True?. Lou Grant is an archetype, a mythical character. His values are genuine, they touch our hearts, they embody the spirit that made America great. Page 20
All That Jazz... Swing... Pop... and Rock. All about "American Pop," Ralph Bakshi's animated show business chronicle. Page 26
Battle of the TV Parties. WNAC-TV, critics agreed, was a badly run station. But before a civic-minded group could wrest control and improve programming, the FCC stepped in with an unprecedented ruling. Here's a story replete with ironies. Page 33
News: Television's Bargain Basement. Prime-time prestige, and the prices are right. Page 36
Paul Mazursky and Willie and Phil. Paul Mazursky follows his "An Unmarried Woman" with a Truffaut-like study of a latter-day triangle. There's Willie, there's Phil, there's Jeanette, and they all love one another. Page 42
The Wooing of Burt Reynolds. When Burt Reynolds and company decided to film a sequel to "Smokey and the Bandit," Florida's state film office decided it wanted a piece of the action. After all, moviemaking means business for everyone, and in the competition among state film offices, every movie counts. Page 46
Books. Reviews Page 53
"Crime Movies: An Illustrated History" by Carlos Clarens
"Film Noir: An Encyclopedic Reference to the American Style" by Alain Silver and Elizabeth Ward
"Thirty Seconds" by Michael J. Arlen
Dialogue on Film: The AFI-Aspen Conference. What's the future of film? That was the provocative topic for a recent gathering of experts from Hollywood and elsewhere. We offer a sampling from the lively debate. Page 57
AFI News. Page 69
American Film Classified Ads. Page 70
Periodicals. Page 72

Edition Notes

Published in
New York, New York, USA
Series
Magazine of the Film and Television Arts
Copyright Date
1980

Contributors

Editor
Hollis Alpert
Writer
Gary Arlen
Writer
Ernest Lehman
Writer
Edwin Diamond
Writer
Rex McGee
Writer
Rory O'Connor
Writer
Laurence Bergreen
Writer
James Monaco
Writer
Julian Smith
Writer
Leo Braudy
Writer
Bruce Cook

The Physical Object

Format
Magazine
Number of pages
72

ID Numbers

Open Library
OL26204429M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B000KEO3IG

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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