An edition of American Film (1975)

American Film, Volume IV, Number 5

March 1979

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Last edited by Vinnie Rattollee
December 3, 2016 | History
An edition of American Film (1975)

American Film, Volume IV, Number 5

March 1979

  • 0 Ratings
  • 28 Want to read
  • 2 Currently reading
  • 0 Have read

Cover photo of Tom Skerritt in "Alien." Color spreads for "Alien," "Hair," and "The Great Train Robbery." $1.75 cover price.

Publish Date
Language
English
Pages
80

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Previews available in: English

Edition Availability
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Book Details


Published in

New York, New York, USA

Table of Contents

Advertisement. The American Film Institute Salute to Alfred Hitchcock Page 2
The Editing Room. Page 4
Hollis Alpert
Point of View: When is a Film THE Film?. In search of the authentic film version. Page 6
David Shepard
Lehman at Large. "Exteriors," Ingevar Broodman's first comedy Page 8
Ernest Lehman
Letters. Page 10
About Television: The Nielsens Versus Quality. What price quality? Page 11
Martin Mayer
Explorations: Disc Fever. At long last, the videodisc. Page 13
Gary Arlen
Space Gothic. With "Alien" Ridley Scott, director of "The Duelists," adds a stylish horror to the space genre. Page 17
A Tribute to Hitchcock. Page 23
My Friend Hitchcock. A reminiscence by Francois Truffaut. Page 24
The Hitchcock Moment. Famous moments from the films. Page 26
Hair: The Second Dawning. Aquarius returns in the disco age. Page 29
Test-Tube Television. At WNET's experimental workshop, video artists are free to explore the limits of their imaginations - and often with national exposure. Page 32
Debra Weiner
Dialogue on Film: Joan Tewkesbury. The writer of "Nashville" talks about two films she's just directed, her work with Altman, and the art of screenwriting. Page 35
Ready When You Are, Dr. Crichton. Trained as a doctor, Michael Crichton moved on to best-sellers, screenplays, and is now proving himself as a director. His latest - "The Great Train Robbery" - from his own novel, naturally. Page 48
Patrick McGilligan
Clipping the Movie Past. Can a critic find happiness compiling film clips for TV? Page 54
Richard Schickel
Prime-Time Psychology. From "Charlie's Angels" to "Family," television's dabbling in social relevance is giving way to a stream of pscyho-babble, self-help lessons and psychiatric do-gooders. Page 59
Robert Sklar
Festival Report. Low budget London. Page 65
Harlan Kennedy
Focus on Education: The Mackendrick Legacy. The director's dream for CalArts. Page 68
Patricia Goldstone
Books. Reviews. Page 70
Morris Dickstein. "Politics and Cinema" by Andrew Sarris.
Brigitte Weeks. "Lauren Bacall by Myself."
AFI News. Page 75
edited by Sue Donoghue
Periodicals. Page 80

Edition Notes

Series
Magazine of the Film and Television Arts
Copyright Date
1979

Contributors

Editor
Hollis Alpert
Contributor
Nigel Andrews
Contributor
Harlan Kennedy
Contributor
Debra Weiner
Contributor
Patrick McGilligan
Contributor
Richard Schickel
Contributor
Robert Sklar
Contributor
David Shepard
Contributor
Ernest Lehman
Contributor
Martin Mayer
Contributor
Gary Arlen
Contributor
Patricia Goldstone
Contributor
Morris Dickstein
Contributor
Brigitte Weeks
Editor
Sue Donoghue
Contributor
Francois Truffaut
Contributor
Annette Insdorf

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26202646M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B003PMC2B0

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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December 3, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Created by Vinnie Rattollee Added new book.