An edition of American Film (1975)

American Film, Volume IV, Number 2

November 1978

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Last edited by Vinnie Rattollee
December 3, 2016 | History
An edition of American Film (1975)

American Film, Volume IV, Number 2

November 1978

  • 0 Ratings
  • 27 Want to read
  • 2 Currently reading
  • 0 Have read

Cover: 136th Street in Harlem; Billie Holiday (Design by Phyllis Cox). Back cover features an advertisement for "Superman: The Movie." $1.75 cover price.

Publish Date
Language
English
Pages
80

Buy this book

Previews available in: English

Edition Availability
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Book Details


Table of Contents

The Editing Room. Page 4
Hollis Alpert
Comment. A British view of television violence. Page 6
Letters. Page 8
Point of View: The Ghost of Films Past. On movies and memory. Page 10
Stanley Kauffmann
Inner Circles:. Confessions of a job hunter in the movies. Page 12
Steve Slon
About Television: A Season to Be Weary. Our man courageously samples the new season. Page 14
Martin Mayer
A Memory of Harlem. Filmmaker William Miles returns with camera to recapture the Harlem of his youth. Page 18
Karen De Witt
Neovideo: One Step Away. The electronic media revolution accelerates. Just ahead, a complex and exciting video world. Page 28
James Monaco
The Rise of Herbert Ross. Directing one's way to the top. How to be a good AND successful director. Page 34
Stephen Zito
Doing a Job on Brink's. In Boston, director William Friedkin is re-creating the notorious robbery. The new gang includes Peter Falk; some of the old gang are there, too, in "The Brink's Job." Page 42
Bernard Drew
Shorts Are Films, Too. And theaters around the country are showing them, thanks to a government-sponsored program for independent filmmakers. Page 48
Stephen Lawson
Dialogue on Film: Robert Aldrich. The director of "The Dirty Dozen" assesses his work, his days with Renoir, and the trials of moviemaking. Page 51
The Lost Film of Orson Welles. "Too Much Johnson" was made - and disappeared. Page 63
Frank Brady
Books. Reviews
Morris Dickstein. "Celebrity: The Media as Image Makers" and "Media Culture," both edited by James Monaco.
Brigitte Weeks. "Dame Edith Evans: Ned's Girl" by Bryan Forbes
John Russell Taylor. "The Penguin Film Review 1946-1949" edited by Roger Manvell.
AFI News. Page 75
Periodicals. Page 80

Edition Notes

Published in
New York, New York, USA
Series
The Journal of the Film and Television Arts
Copyright Date
1978

Contributors

Editor
Hollis Alpert
Contributor
Karen De Witt
Contributor
James Monaco
Contributor
Stephen Zito
Contributor
Bernard Drew
Contributor
Stephen Lawson
Contributor
Frank Brady
Contributor
Stanley Kauffmann
Contributor
Steve Slon
Contributor
Martin Mayer
Contributor
Morris Dickstein
Contributor
Brigitte Weeks
Contributor
John Russell Taylor
Contributor
Sue Donoghue

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26202629M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B005XB77M0, B00JSR0TTI

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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December 3, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Minor correction
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Created by Vinnie Rattollee Added new book.