An edition of American Film (1975)

American Film, Volume III, Number 8

June 1978

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Last edited by Vinnie Rattollee
November 28, 2016 | History
An edition of American Film (1975)

American Film, Volume III, Number 8

June 1978

  • 0 Ratings
  • 28 Want to read
  • 2 Currently reading
  • 0 Have read

Cover photo of Burt Reynolds in "Hooper." Inner back-cover features a full page ad for "Capricorn One." $1.75 cover price.

Publish Date
Language
English
Pages
80

Buy this book

Previews available in: English

Edition Availability
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Book Details


Table of Contents

The Editing Room. Page 4
Hollis Alpert
Letters. Page 5
Comment: Public Television, The Price Tag for Quality. The President of PBS makes his case. Page 6
Lawrence K. Grossman
Lehman at Large: Camelot West. The games studio people played. Page 8
Ernest Lehman
The Burt Reynolds Game Plan. He knew what he wanted, and here's how he got it. Page 10
Gene Lees
What is Visual Literacy?. A key question in search of a definitive answer. Page 22
Richard P. Adler
About Television: A Modest Proposal to Pay for Excellence. Network taxation for representation. Page 26
Martin Mayer
The Return of Jaws. The monster shark has a twin; it's back in the same waters, chomping teenagers. Page 28
Michael Dempsey
Dialogue on Film: Jerome Hellman. The successful producer - "Midnight Cowboy," "Coming Home" - reveals a passionate commitment to filmmaking. He discusses his trials in bringing "Coming Home" to the screen, his relationship with his directors, and why he's made the films he has. Page 33
The Problem with G. Too many young people think G stands for kid stuff, and the family film is hurting. Page 50
Georgia Jeffries
Joris Ivens: The China Close-Up. The documentary pioneer has returned from China with twelve rare hours of film. Page 59
Robert Sklar
AFI News. Page 66
Explorations: Critical Cogitation in Milwaukee. The critical superstars meet and agree to disagree Page 67
Jonathan Rosenbaum
Festival Report: Berlin. Restlessness in the new German cinema. Page 70
Nigel Andrews
Books. Reviews. Page 72
Martin Gardner. "Four Arguments for the Elimination of Television" by Jerry Mander.
Kenneth Turan. "The Thrill of Victory: The Inside Story of ABC Sports" by Bert Randolph Sugar.
Brigitte Weeks. "Montgomery Clift: A Biography" by Patricia Bosworth.
Periodicals. Page 80

Contributors

Editor
Hollis Alpert
Contributor
Gene Lees
Contributor
Richard P. Adler
Contributor
Michael Dempsey
Contributor
Georgia Jeffries
Contributor
Robert Sklar
Contributor
Lawrence K. Grossman
Contributor
Ernest Lehman
Contributor
Martin Mayer
Contributor
Jonathan Rosenbaum
Contributor
Nigel Andrews
Contributor
Martin Gardner
Contributor
Kenneth Turan
Contributor
Brigitte Weeks

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26202606M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B005XB7SXI, B000KEK57Y

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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November 28, 2016 Edited by Vinnie Rattollee Table of contents, other
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Added new cover
November 28, 2016 Created by Vinnie Rattollee Added new book.