An edition of American Film (1975)

American Film, Volume II, Number 5

March 1977

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Last edited by Vinnie Rattollee
November 21, 2016 | History
An edition of American Film (1975)

American Film, Volume II, Number 5

March 1977

  • 0 Ratings
  • 28 Want to read
  • 2 Currently reading
  • 0 Have read

Cover photo of Bette Davis. $1.75 cover price.

The Table of Contents is overhauled to enlarge article summaries. As a result, editorial staff credits were nixed.

Publish Date
Language
English
Pages
80

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Previews available in: English

Edition Availability
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Book Details


Table of Contents

Letters. Page 3
Comment. Critical Chauvinism - A complaint of our narrow critics: They've staked out too many areas of ignorance. Page 4
by David Sterritt
McMurtry on the Movies. The Hollywood Novel, The Hollywood Film - Has there ever been a great Hollywood novel? Has there ever been a great FILM about Hollywood? Page 6
by Larry McMurtry
John Frankenheimer: His Fall and Rise. There comes a day for a former Boy Wonder such as John Frankenheimer when he calls someone, announces his name, and the voice on the other end screams, "John WHO?" But not today, for suddenly Frankenheimer is hot again, the guiding light behind a new powerhouse film, Black Sunday, and when John phones, people listen.
by Bernard Drew
Life Achievement Award - 1977. by George Stevens, Jr. Page 17
A Toast to Bette Davis!. The landmark moment in the screen career of the grand and durable lady of film - this year's recipient of AFI's annual award. Page 18
by Bernard Drew
Whatever Happened to Westbrook Van Voorhis?. Time has marched on, the stentorian voice is silent, and the newsreel has gone the way of the twenty-five-cent admission. How does the pop history of the "March of Time" strike us now? Page 25
by Bruce Cook
The Lost Legacy of Edward R. Murrow. At CBS News, they still talk about him and his bold attack on Joe McCarthy in the fifties. But Murrow is dead, the pressures are fearful, and TV news has gone another way. Page 30
by Stephen Zito
Dialogue on Film: Bibi Anderson. The brilliant star of Ingmar Bergman's "Persona" and "Wild Strawberries" talks about women in the movies, her new film with Steve McQueen, the craft of acting, her favorite films - and, of course, Ingmar Bergman. Page 33
Nitrate Won't Wait. Unless saved in time, all films on nitrate stock will crumble to powder or ignite. A rescue operation has been mounted, and time is short. Page 52
by John Culhane
Electronic Americana. Wife-swapping, youth crimes, drugs - the standard vices once beloved by the tabloids are now the stuff of prime-time television. A look at the evening titillations on the tube and their preachy underside. Page 58
by Robert Sklar
Focus on Education. On My Word of Honor as an Adjunct Professor - What happens when a genteel screenwriter from Hollywood's Golden Age collides with today's aggressive college students? Page 64
by Samson Raphaelson
Festival Report. Aesthetics at Edinburgh, politics in Venice. Page 66
by David Robinson
Sound Track. And the Beast Goes On - Max Steiner's stylish old score for "King Kong" gets a faithful new recording. Page 70
by Robert Fiedel
AFI News. by Gary Arlen Page 73
Books. Page 75
John Russell Taylor. A review of two books on Hollywood directors.
Brigitte Weeks. A review of Anne Baxter's "Intermission: A True Story" and "My Side: The Autobiography of Ruth Gordon."
Shooting Directors. A photographic sampling from Maureen Lambray's "The American Film Directors." Page |
Periodicals. Page 80

Edition Notes

Series
The Journal of the Film and Television Arts
Copyright Date
1977

The Physical Object

Format
Magazine
Number of pages
80

ID Numbers

Open Library
OL26201044M
OCLC/WorldCat
2246336

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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Download catalog record: RDF / JSON / OPDS | Wikipedia citation
December 5, 2016 Edited by Vinnie Rattollee Reformatting, additonal info
November 21, 2016 Edited by Vinnie Rattollee Edited without comment.
November 21, 2016 Edited by Vinnie Rattollee Edited without comment.
November 21, 2016 Edited by Vinnie Rattollee Edited without comment.
November 21, 2016 Edited by Vinnie Rattollee Added new cover