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Examined within their economic, cultural & political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation & gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab.
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Previews available in: English
Subjects
Motion pictures, In motion pictures, Women motion picture producers and directors, Women in motion pictures, History, Motion pictures, africa, Motion pictures, history, Africa, north, history, Motion pictures, social aspects, Social aspectsPlaces
North AfricaTimes
20th century, 21st centuryShowing 1 featured edition. View all 1 editions?
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1
Screens and veils: Maghrebi women's cinema
2011, Indiana University Press
in English
0253356687 9780253356680
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Book Details
Table of Contents
Overture: Maghrebi women's transvergent cinema
Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978)
Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988)
Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002)
Raja Amari's screen of the haptic: Red satin (Tunisia, 2002)
Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002)
From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004)
Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006)
Coda.
Edition Notes
Includes bibliographical references and index.
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- Created July 22, 2011
- 13 revisions
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August 28, 2024 | Edited by MARC Bot | import existing book |
December 22, 2022 | Edited by MARC Bot | import existing book |
October 9, 2020 | Edited by ImportBot | import existing book |
September 25, 2020 | Edited by MARC Bot | import existing book |
July 22, 2011 | Created by LC Bot | Imported from Library of Congress MARC record |