Record ID | marc_loc_updates/v39.i09.records.utf8:13366190:1869 |
Source | Library of Congress |
Download Link | /show-records/marc_loc_updates/v39.i09.records.utf8:13366190:1869?format=raw |
LEADER: 01869nam a22003378a 4500
001 2011006527
003 DLC
005 20110223182741.0
008 110217s2011 inu b s001 0 eng
010 $a 2011006527
020 $a9780253356680 (cloth : alk. paper)
020 $a9780253223418 (pbk. : alk. paper)
040 $aDLC$cDLC
042 $apcc
043 $aff-----
050 00 $aPN1993.5.A35$bM37 2011
082 00 $a791.430961$222
100 1 $aMartin, Florence,$d1959-
245 10 $aScreens and veils :$bMaghrebi women's cinema /$cFlorence Martin.
260 $aBloomington :$bIndiana University Press,$c2011.
263 $a1110
300 $ap. cm.
490 0 $aNew directions in national cinemas
504 $aIncludes bibliographical references and index.
505 0 $aOverture: Maghrebi women's transvergent cinema -- Transnational feminist storytellers: Shahrazad, Assia, and Farida. Assia Djebar's transvergent Nuba: the Nuba of the women of Mount Chenoua (Algeria, 1978) -- Farida Benlyazid's initiation narrative: A door to the sky (Morocco, 1988) -- Transvergent screens. Yamina Bachir-Chouikh's transvergent echoes: Rachida (Algeria, 2002) -- Raja Amari's screen of the haptic: Red satin (Tunisia, 2002) -- Nadia El Fani's multiple screens: Bedwin hacker (Tunisia, 2002) -- From Dunyazad to transvergent audiences. Yasmine Kassari's "burning" screens: The sleeping child (Morocco, 2004) -- Selma Baccar's transvergent spectatorship: Flower of oblivion (Tunisia, 2006) -- Coda.
650 0 $aMotion pictures$zAfrica, North$xHistory$y20th century.
650 0 $aMotion pictures$zAfrica, North$xHistory$y21st century.
650 0 $aWomen motion picture producers and directors$zAfrica, North.
650 0 $aMotion pictures$xSocial aspects$zAfrica, North.
650 0 $aWomen in motion pictures.
651 0 $aAfrica, North$xIn motion pictures.