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"This study seeks to situate the monster in contemporary narratives. Deploying psychoanalysis, cultural theories, and recent studies in gender and sexuality, it discusses various forms of monstrous representations starting with lived space, and concluding with language as a textual space for the creation/coercion of monstrosity. It argues that, unlike traditional monster narratives (notably the Gothic) which see the monster as an alien 'other' that has to be contemplated and finally expelled, contemporary monster narratives situate this 'other' with(in) us, thus forcing us to reconsider our positions as subjectivities, and the socio-ideological space we inhabit. Fiction by Peter Ackroyd, J.G.
Ballard, Doris Lessing, Iain Banks, Bret Easton Ellis, Joyce Carol Oates, Angela Carter, Patrick McGrath and Janice Galloway are discussed, showcasing an array of monstrous manifestations including various forms of monstrous spatiality (including language), the deformed body, the serial killer and the enigmatic child."--Jacket.
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Subjects
History and criticism, Theory, English fiction, American fiction, Psychoanalysis and literature, Monsters in literature, Modernism (Literature), Subjectivity in literature, Narration (Rhetoric), American fiction, history and criticism, 20th century, HistoryPlaces
English-speaking countriesTimes
20th centuryEdition | Availability |
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1
Dimensions of monstrosity in contemporary narratives: theory, psychoanalysis, postmodernism
2004, Palgrave Macmillan
in English
1403944466 9781403944467
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Book Details
Edition Notes
Includes bibliographical references (p. 188-221) and index
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History
- Created September 27, 2008
- 15 revisions
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June 30, 2025 | Edited by MARC Bot | import existing book |
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September 27, 2008 | Created by ImportBot | Imported from Miami University of Ohio MARC record |