Check nearby libraries
Buy this book
The walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquisition in 1963, the cross has been the subject of speculation and mystery.
The dearth of solid information about its provenance prior to its ownership by a Yugoslav art dealer and restorer has generated a number of tantalizing theories as to its origin, function, and early history, although no one has denied the exceptional quality of its workmanship or the unparalleled complexity of its design.
The story of the cross's creation, survival, and meaning is explored in this fascinating book. Of special interest is the sheer number of figures that populate the compact scenes on both sides of the cross, and of biblical passages diligently inscribed on individual scrolls held by Old Testament prophets across its surface. The cross is a tour de force of sculptural artistry, which holds within its small physical scope an iconographic encyclopedia of learning almost unmatched in Medieval Art.
This comprehensive study is addressed to the genuinely curious visitor to the Cloisters collection, as well as to the specialized scholar. The authors have included a systematic description of the intricate construction of the cross and an analysis of every detail of its carving. They offer substantial new insights to the findings of previous scholarly research as to possible meanings and context, in terms of both the liturgy and the intellectual milieu of the twelfth century in which it has been placed.
The attribution to the abbey of Bury St. Edmunds - the name by which the cross was first known - is discussed at length. In rich and exacting detail the authors reveal, as do the splendid new color photographs by Malcolm Varon, just how the Cloisters Cross, in its imagery and consummate workmanship, bears "witness to a level of erudition and artistry seldom seen in the twelfth century or later."
Check nearby libraries
Buy this book
Showing 3 featured editions. View all 3 editions?
Edition | Availability |
---|---|
1
Cloisters Cross: Its Art and Meaning
2012, Yale University Press
in English
0300194048 9780300194043
|
zzzz
Libraries near you:
WorldCat
|
2
Cloisters Cross: Its Art and Meaning
2000, Yale University Press
in English
0300085869 9780300085860
|
zzzz
Libraries near you:
WorldCat
|
3
The Cloisters Cross: its art and meaning
1994, Metropolitan Museum of Art, Distributed by H.N. Abrams
in English
0870996827 9780870996825
|
aaaa
Libraries near you:
WorldCat
|
Book Details
Edition Notes
Includes bibliographical references (p. 303-305) and indexes.
Classifications
The Physical Object
ID Numbers
Source records
Scriblio MARC recordIthaca College Library MARC record
amazon.com record
Better World Books record
Library of Congress MARC record
marc_gtu MARC record
Better World Books record
Better World Books record
Promise Item
harvard_bibliographic_metadata record
marc_columbia MARC record
Work Description
The walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquisition in 1963, the cross has been the subject of speculation and mystery. The dearth of solid information about its provenance prior to its ownership by a Yugoslav art dealer and restorer has generated a number of tantalizing theories as to its origin, function, and early history, although no one has denied the exceptional quality of its workmanship or the unparalleled complexity of its design. The story of the cross's creation, survival, and meaning is explored in this fascinating book. Of special interest is the sheer number of figures that populate the compact scenes on both sides of the cross, and of biblical passages diligently inscribed on individual scrolls held by Old Testament prophets across its surface. The cross is a tour de force of sculptural artistry, which holds within its small physical scope an iconographic encyclopedia of learning almost unmatched in Medieval Art. This comprehensive study is addressed to the genuinely curious visitor to the Cloisters collection, as well as to the specialized scholar. The authors have included a systematic description of the intricate construction of the cross and an analysis of every detail of its carving. They offer substantial new insights to the findings of previous scholarly research as to possible meanings and context, in terms of both the liturgy and the intellectual milieu of the twelfth century in which it has been placed. The attribution to the abbey of Bury St. Edmunds—the name by which the cross was first known—is discussed at length. In rich and exacting detail the authors reveal, as do the splendid new color photographs by Malcolm Varon, just how the Cloisters Cross, in its imagery and consummate workmanship, bears "witness to a level of erudition and artistry seldom seen in the twelfth century or later." (MET)
Community Reviews (0)
Feedback?July 25, 2024 | Edited by MARC Bot | import existing book |
October 10, 2020 | Edited by ImportBot | import existing book |
August 14, 2020 | Edited by ImportBot | import existing book |
February 28, 2020 | Edited by MARC Bot | remove fake subjects |
December 9, 2009 | Created by WorkBot | add works page |