MARC Record from harvard_bibliographic_metadata

LEADER: 01953cam a2200337M 4500
001 013326978-7
005 20120813123808.0
008 050501s1994 enkaf b 001 0 eng d
015 $aGB94-47689
020 $a1872501907
020 $a9781872501901
035 0 $aocm59913844
040 $aUKV3G$cUKV3G$dBAKER$dNLGGC$dYDXCP$dUKMGB$dUKM$dBOS
050 4 $aNK5943$b.P37 1994b
084 $a21.97$2bcl
100 1 $aParker, Elizabeth C.
245 14 $aThe Cloisters cross :$bits art and meaning /$cElizabeth C. Parker & Charles T. Little.
260 $aLondon :$bHarvey Miller,$c[1994].
300 $a316 p., 16 p. of plates :$bill. (some col.) ;$c29 cm.
500 $a"Published in the United States of America and Canada by the Metropolitan Museum of Art, New York"--T.p. verso.
504 $aIncludes bibliographical references (p. 303-305) and indexes.
505 0 $aForeword / William D. Wixom -- Introduction : the cross and its history -- Word and image : the iconography of the cross -- The function of the Cloisters cross -- The liturgical context -- The intellectual setting -- The Bury St. Edmunds connection -- Epilogue : the place of the cross in English Romanesque art -- Appendix I: The inscriptions on the cross -- Appendix II: The Olso corpus.
520 $aThe walrus-ivory Cloisters Cross, a masterpiece of English Romanesque art, has long been a centerpiece of the Metropolitan Museum of Art's Cloisters collection, a separate museum in Fort Tryon Park (New York City) devoted exclusively to the art of the Middle Ages. In fact, ever since its acquisition in 1963, the cross has been the subject of speculation and mystery.
650 0 $aBury Saint Edmunds Cross.
650 0 $aIvories, Romanesque$zEngland.
650 0 $aChristian art and symbolism$zEngland$yMedieval, 500-1500.
610 20 $aCloisters (Museum)
653 0 $aSculptures$aRomanesque style
700 1 $aLittle, Charles T.
988 $a20120813
906 $0OCLC