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"Artists and writers in early twentieth-century England engaged in a variety of ways with the cultural traditions of Shakespeare as a means of defining and relating what they understood to be their own unique historical experience. In Shakespeare and Modernism, Cary, DiPietro expands upon the established studies of this field by uncovering the connections and contexts which unite a broad range of cultural practices, from theatrical and book production, including that of Edward Gordon Craig and Harley Granville-Barker, to literary constructions of Shakespeare by high modernists such as T.S. Eliot, James Joyce and Virginia Woolf."--Jacket.
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Subjects
Appreciation, Criticism and interpretation, History, Influence, Modernism (Literature), Stage history, Shakespeare, william, 1564-1616Places
EnglandTimes
1800-1950, 20th century| Edition | Availability |
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Shakespeare and modernism
2006, Cambridge University Press
in English
- 1st ed.
0521845394 9780521845397
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Book Details
Table of Contents
Introduction
The Shakespeare revolution
Sex, lies and historical fictions
The theatre and a changing civilization
Shakespeare's text in performance, circa 1923
How many children had Virginia Woolf?
Edition Notes
Includes index.

