British realist theatre
the new wave in its context 1956-1965
by Lacey, Stephen
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The period of 1956-1965 was a defining moment in post-war British theatre history, in which new possibilities arose for a contemporary and engaged drama. Drawing on a range of sources, Stephen Lacey argues that the new theatre should be seen in relation to other developments in post-war culture and politics, including social science, the novel and cinema.
The new theatre was regarded as a realist theatre, dramatising the social experience of a working-class under threat from the new prosperity. However, despite the currency of the term, 'realism' in the period is imperfectly understood and often crudely applied.
Arguing that realism is both a tradition of representation and a critical perspective, Lacey examines the connection between particular plays and productions, and the assumptions about theatrical form and oppositional politics that shaped the way that this theatre was valued by its contemporaries.
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| Edition | Availability |
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1
British Realist Theatre
2004, Taylor & Francis Group Plc
Electronic resource
in English
0203201728 9780203201725
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British realist theatre: the new wave in its context 1956-1965
1995, Routledge
in English
0415077826 9780415077828
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Includes bibliographical references (p. 192-201) and index.
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Work Description
The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
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