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Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays.
Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation.
He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England.
Rejecting equally the position that Jonson was a renegade subverter of the arcana imperii and that he was a thoroughgoing court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.
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Previews available in: English
Subjects
History, Dialogue, Politics and literature, Literature and society, Political and social views, Secrecy in literature, Conversation in literature, Communication in literature, Conspiracies in literature, Jonson, ben, 1573-1637, Criticism and interpretationPeople
Ben Jonson (1573?-1637)Places
Great Britain, EnglandTimes
17th centuryEdition | Availability |
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1
Ben Jonson and the Art of Secrecy
2017, University of Toronto Press
in English
144265502X 9781442655027
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2
Ben Jonson and the Art of Secrecy
2016, University of Toronto Press
in English
1442623527 9781442623521
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3
Ben Jonson and the art of secrecy
1994, University of Toronto Press
in English
0802004628 9780802004628
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Book Details
Edition Notes
Includes bibliographical references (p. [213]-226) and index.
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