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Rose Zimbardo's hypothesis is based on Hans Blumenberg's concept of "zero point" - the moment when an epistemology collapses under the weight of questions it has itself raised and simultaneously a new epistemology begins to construct itself. Zimbardo demonstrates that the Restoration marked both the collapse of the Renaissance order and the birth of modernism (with its new conceptions of self, nation, gender, language, logic, subjectivity, and reality).
Zimbardo examines works by Rochester, Oldham, Wycherley, and the early Swift for examples of Restoration deconstructive satire that, she argues, measure the collapse of Renaissance epistemology. Constructive satire, as exemplified in works by Dryden, has at its discursive center the "I" from which all order arises to be projected to the external world.
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Subjects
History and criticism, Semiotics and literature, Discourse analysis, Literary, Satire, English, English literature, Language and culture, English Satire, Literary Discourse analysis, History, Great britain, history, restoration, 1660-1688, English literature, history and criticism, early modern, 1500-1700, Satire, english, history and criticismPlaces
England, Great BritainShowing 3 featured editions. View all 3 editions?
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At Zero Point: Discourse, Culture, and Satire in Restoration England
2014, University Press of Kentucky
in English
0813158583 9780813158587
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2
At zero point: discourse, culture, and satire in Restoration England
1998, University Press of Kentucky
in English
081312039X 9780813120393
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3
At Zero Point: Discourse, Culture, and Satire in Restoration England
Publish date unknown, University Press of Kentucky
in English
0813185122 9780813185125
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Book Details
Edition Notes
Includes bibliographical references (p. [172]-189) and index.
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