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The bestselling cult author of Loaded and Dead Europe turns his blowtorch on to the belly of middle-class suburban Australia and its notions of child-rearing and acceptable behaviour.At a suburban barbecue, a man slaps a child who is not his own.This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century.The Slap is told from the points of view of eight people who were present at the barbeque. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.
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"Although this is Australian author Tsiolkas’ fourth novel, it is the first to be published in the U.S. With its raw style, liberal use of profanity and racial epithets, and laserlike focus on the travails of suburban life, it is a down-and-dirty version of Tom Perrotta’s best-selling Little Children (2004). At a barbecue in a Melbourne suburb, a man loses his temper and slaps the child of the host’s friends. This incident unleashes a slew of divisive opinions, pitting friends and families against each other as the child’s parents take the man to court. Told from eight different viewpoints, the novel also deftly fills in disparate backstories encompassing young and old, single and married, gay and straight, as well as depicting how multiculturalism is increasingly impacting the traditional Aussie ethos. For good measure, the author also throws in male vanity, infidelity, and homophobia. Tsiolkas’ in-your-face style is sure to alienate some readers—the child’s parents, for example, are among the book’s most unlikable characters—but his novel, which won the 2009 Commonwealth Prize, fairly radiates with vitality as it depicts the messy complications of family life." -- Joanne Wilkinson, Booklist
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