The Cambridge companion to film music

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Last edited by MARC Bot
December 20, 2022 | History

The Cambridge companion to film music

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His wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.

Publish Date
Language
English
Pages
411

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Previews available in: English

Edition Availability
Cover of: Cambridge Companion to Film Music
Cambridge Companion to Film Music
2016, Cambridge University Press
in English
Cover of: The Cambridge companion to film music
The Cambridge companion to film music
2016, Cambridge University Press
in English

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Book Details


Table of Contents

Making film music.
Evolving practices for film music and sound, 1925-1935 -- James Buhler and Hannah Lewis
"Pictures that talk and sing" : sound history and technology -- David Cooper
The composer and the studio : Korngold and Warner Bros. -- Ben Winters
Can't buy me love? : economic imperatives and artistic achievements in the British pop-music film -- Stephen Glynn
"A film's first audience" : the composer's role in film and television -- George Fenton in conversation with Mervyn Cooke
Approaching film music.
Film-music theory -- Guido Heldt
Studying film scores : working in archives and with living composers -- Kate Daubney
Returning to Casablanca -- Peter Franklin
Parental guidance advised? : mash-ups and mating penguins in Happy feet -- Fiona Ford
Materializing film music -- Miguel Mera
Genre and idiom.
Film noir and music -- David Butler
Another other history of jazz in the movies -- Krin Gabbard
Horror and science fiction -- Stan Link
The Western -- Robynn J. Stilwell
The music of screen musicals -- Caryl Flinn
"Britannia-The musical" : scores, songs and soundtracks in British animation -- Paul Wells
Music in world cinemas.
Leone, Morricone and the Italian way to Revisionist Westerns -- Sergio Miceli
Music, noise and silence in the late cinema of Jean-Luc Godard -- Danae Stefanou
Hans Werner Henze and The lost honour of Katharina Blum -- Annette Davison -- $t Tōru Takemitsu's collaborations with Masahiro Shinoda : the music for Pale flower, Samurai spy and Ballad of Orin / -- Timothy Koozin
Welcome to Kollywood : Tamil film music and popular culture in South India -- Mekala Padmanabhan.

Edition Notes

"Reference index of films and television programmes": pages 385-394.

Includes bibliographical references (pages 356-384) and index.

Series
Cambridge companions to music, Cambridge companions to music
Other Titles
Film music

Classifications

Dewey Decimal Class
781.5/42
Library of Congress
ML2075 .C3545 2016, ML2075.C3545 2016

The Physical Object

Pagination
xxi, 411 pages
Number of pages
411

ID Numbers

Open Library
OL27233268M
Internet Archive
cambridgecompani0000unse_s0v6
ISBN 10
1107094518, 1107476496, 1316146782
ISBN 13
9781107094512, 9781107476493, 9781316146781
LCCN
2016026629
OCLC/WorldCat
951557385
Amazon ID (ASIN)
B01KG54GO4

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History

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December 20, 2022 Edited by MARC Bot import existing book
September 9, 2022 Edited by ImportBot import existing book
August 24, 2020 Edited by ImportBot import existing book
July 19, 2019 Created by MARC Bot import new book