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Films produced in late 1960s and early 1970s America continue to frame our understanding of the counterculture era. The popular and experimental music of the day is central to the counterculture narrative on film, from the utopian Monetery pop (1968) to the disenchantment of Gimme shelter (1970).
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Edition | Availability |
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1
The music of counterculture cinema: a critical study of 1960s and 1970s soundtracks
2015, McFarland & Company, McFarland
in English
0786475420 9780786475421
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2
Music of Counterculture Cinema: A Critical Study of 1960s and 1970s Soundtracks
2015, McFarland & Company, Incorporated Publishers
in English
1476620512 9781476620510
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Book Details
Table of Contents
Framing utopia : Monterey pop and the heart of the counterculture
Creating the downfall : Gimme shelter and the "end" of the counterculture
Searching fort the real times, baby : Head and the unmaking of the Monkees
Love in counterculture films : music's diplomatic role in Harold and Maude
Space is the place : Barbarella and hearing the future
Did the soundtrack also blow it? : using rock to capture counterculture generational identity
Setting the escapist scene with music : sex and comedy in an exotic world
Generational genocide : selling youth rebellion in Roger Corman's Gas-s-s
African American artists in Hollywood : Isaac Hayes' contribution to Shaft
I'm watching it for its music : Deep throat and its soundtrack
Challenging normativity and pushing boundaries : Midnight cowboy and cultural resistance
Ambiguous meaning of music : combining technology and music in the dystopian world of A clockwork orange
Understanding country ways : a talk with Country Joe McDonald about counterculture film
Bringing the 1960s to life : an interview with director Robert Greenwald.
Edition Notes
Includes bibliographical references (pages 193-201) and index.
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