An edition of Design by competition (1999)

Design by competition

making design competition work

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Last edited by MARC Bot
August 4, 2025 | History
An edition of Design by competition (1999)

Design by competition

making design competition work

What meanings do buildings and places convey to the people who use and visit them? Too often, design competitions and signature architecture result in costly eyesores that do not work.

How can sponsors and clients get more meaningful results? In answer to these questions, Dr. Nasar, supported by studies of competitions and Peter Eisenman's competition-winning design for the Wexner Center at the Ohio State.

University, suggests the use of prejury evaluation (PJE). Dr. Nasar, demonstrates the potential value of this approach, as well as for visual quality programming, for many different kinds of environmental design.

Architects, urban designers and planners, social scientists, clients, government officials, and residents will want to read this thought-provoking book.

Publish Date
Language
English
Pages
238

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Edition Availability
Cover of: Design by Competition
Design by Competition: Making Design Competition Work (Environment and Behavior)
November 2, 2006, Cambridge University Press
Paperback in English - 1 edition
Cover of: Design by competition
Design by competition: making design competition work
1999, Cambridge University Press
in English

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Book Details


Edition Notes

Includes bibliographical references and index.

Published in
Cambridge, New York
Series
Environment and behavior series

Classifications

Dewey Decimal Class
720/.79
Library of Congress
NA6813.U6 C656 1999

The Physical Object

Pagination
xvii, 238 p. :
Number of pages
238

Edition Identifiers

Open Library
OL382299M
ISBN 10
0521444497
LCCN
98044685
OCLC/WorldCat
40174498
LibraryThing
7081995
Goodreads
3056959

Work Identifiers

Work ID
OL1979374W

First Sentence

"The design competition for the Wexner Center had a vague program, ad hoc criteria used by a jury weighted toward the arts, and a hands-off position by the client toward the designers."

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