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"This book will focus on competing claims about quicksilver eloquence, vatic inspiration, and hermeneutic skills among Renaissance poets, and upon choices that they made for their writing, their literary careers, and the professionalization of their craft. Its ground is the intersection of aesthetics and economics in European Renaissance poetry, and its principal actors are Francesco Petrarch, Gaspara Stampa, Michelangelo Buonarroti, Pierre de Ronsard and William Shakespeare"--Introduction.
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Petrarchism at work: contextual economies in the age of Shakespeare
2016, Cornell University Press
in English
1501700014 9781501700019
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Table of Contents
The marketplace of Mercury
Petrarch and Italian poetry
Petrarch as homo economicus
Making Petrarch matter: the parts and labor of textual revision
Jeweler's daughter sings for doge: Gaspara Stampa's entrepreneurial poetics
Incommensurate gifts: Michelangelo and the economy of revision
Pierre de Ronsard and Pléiade aesthetics
Polished to perfection: Ronsard's investment in Les Amours
Ronsard Furieux: interest in Ariosto
Passions and privations: writing sonnets like a pro in Les Amours de Marie
The smirched muse: commercializing Sonnets pour Hélène
Shakespeare's sonnets and the economy of Petrarchan aesthetics
To possess is not to own: the cost of the Dark Lady and the Young Man
Polish and skill: Will's interest and self-interest in sonnets 61-99
Owning up to furor: the poets' war and its aftermath in sonnets 100-126
Shakespeare as professional: the economy of revision in sonnets 1-60
Mercurial economies.
Edition Notes
Includes bibliographical references and index.
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