Re-framing the theatrical
interdisciplinary landscapes for performance
by Alison Oddey
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Alison Oddey takes us on a spectator's journey, engaging with art forms that cross boundaries of categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, and how the work becomes meditative and spiritual. In questioning the role of the spectator and the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.
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Performing arts, PhilosophyShowing 1 featured edition. View all 1 editions?
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Re-framing the theatrical: interdisciplinary landscapes for performance
2007, Palgrave Macmillan
electronic resource :
in English
0230590721 9780230590724
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Edition Notes
Includes bibliographical references (p. 219-238) and index.
Electronic reproduction. Basingstoke, England : Palgrave Macmillan, 2009. Mode of access: World Wide Web. System requirements: Web browser. Title from title screen (viewed on Mar. 3, 2009). Access may be restricted to users at subscribing institutions.
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| October 4, 2021 | Edited by ImportBot | import existing book |
| July 30, 2014 | Created by ImportBot | import new book |