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Last edited by Geraint A. Wiggins
October 22, 2010 | History

Musical creativity: multidisciplinary research in theory and practice 1 edition

Musical creativity
Irène Deliège, Geraint A. Wigg ...

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Musical creativity: multidisciplinary research in theory and practice

Published 2006 by Psychology Press .
Written in English.

Table of Contents

Prelude The spectrum of musical creativity 1
PART I Creativity in musicology and philosophy of music 7
1 Playing God: Creativity, analysis, and aesthetic inclusion 9
2 Layered constraints on the multiple creativities of music 25
3 Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy 42
PART II Creativity in musical listening 61
4 Analogy: Creative support to elaborate a model of music listening 63
5 Hearing musical style: Cognitive and creative problems 78
PART III Creativity in educational settings 95
6 How different is good? How good is different? The assessment of children’s creative musical thinking 97
7 Understanding children’s meaning-making as composers 111
8 Processes and teaching strategies in musical improvisation with children 134
PART IV Creativity in musical performance 159
9 Creativity, originality, and value in music performance 161
10 Exploring jazz and classical solo singing performance behaviours: A preliminary step towards understanding performer creativity 181
11 Spontaneity and creativity in highly practised performance 200
PART V Creativity in music therapy 219
12 Musical creativity in children with cognitive and social impairment 221
13 Aesthetics of creativity in clinical improvisation 238
14 Hidden music: An exploration of silence in music and music therapy 252
PART VI Neuroscientific approaches to musical creativity 273
15 From music perception to creative performance: Mapping cerebral differences between professional and amateur musicians 275
16 Musical creativity and the human brain 290
17 Beyond global and local theories of musical creativity: Looking for specific indicators of mental activity during music processing 322
PART VII Computer models of creative behaviour 345
18 Creativity studies and musical interaction 347
19 Enhancing individual creativity with interactive musical reflexive systems 359
20 Putting some (artificial) life into models of musical creativity 376
Postlude How can we understand creativity in a composer’s work? A Conversation between Irène Deliège and Jonathan Harvey 397


  • Contributor
    Mario Baroni
  • Contributor
    Niels Birbaumer
  • Contributor
    Elvira Brattico
  • Contributor
    Pamela Burnard
  • Contributor
    Roger Chaffin
  • Contributor
    Colleen Chen
  • Contributor
    Nicholas Cook
  • Contributor
    Alice Coulam
  • Contributor
    Jane Davidson
  • Contributor
    Jonathan Harvey
  • Contributor
    Maud Hickey
  • Contributor
    Colin A. Lee
  • Contributor
    Anthony F. Lemieux
  • Contributor
    Scott D. Lipscomb
  • Contributor
    Tânia Lisboa
  • Contributor
    Martin Lotze
  • Contributor
    Björn H. Merker
  • Contributor
    Eduardo R. Miranda
  • Contributor
    Marta Olivetti Belardinelli
  • Contributor
    François Pachet
  • Contributor
    Mark M. Reybrouck
  • Contributor
    Marc Richelle
  • Contributor
    Gabriela Scheler
  • Contributor
    Julie P. Sutton
  • Contributor
    Johannella Tafuri
  • Contributor
    Mari Tervaniemi
  • Contributor
    Peter M. Todd
  • Contributor
    Sam Thompson
  • Contributor
    Charles Wiffen
  • Contributor
    Tony Wigram
  • Contributor
    Aaron Williamon

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History Created October 22, 2010 · 2 revisions Download catalog record: RDF / JSON

October 22, 2010 Edited by Geraint A. Wiggins Edited without comment.
October 22, 2010 Created by Geraint A. Wiggins Added new book.