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Dismantling the dreamfactory: gender, German cinema, and the postwar quest for a new film language
2009, Berghahn Books
in English
184545605X 9781845456054
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2
Dismantling the dreamfactory: gender, German cinema, and the postwar quest for a new film language
2009, Berghahn Books
in English
184545605X 9781845456054
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WorldCat
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Book Details
Table of Contents
Relegitimating cinema: female spectators and the problem of representation. How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946)
When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948)
Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film
Unsolved mysteries: race, ethnicity, and gender in Helmut Kütner's Epilogue (1950)
Art on film: representing gender and sexuality in popular cinema. "Through her eyes": regendering representation in Willi Forst's The sinner (1951)
Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955)
Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957)
Towards the new wave: gender and the critique of popular cinema
Pleasurable negotiations: spectatorship and genre in Helmut Kütner's "anti-tearjerker" engagement in Zurich (1957)
Sound and spectacle in the wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie
Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film
Epilogue adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture. melissa.spinelli@berghahnbooks.com; bc: katherine.elgart@berghahnbooks.com
Edition Notes
Includes bibliographical references and index.
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