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January 29, 2010 | History

Orientalism and representations of music in the nineteenth-century British popular arts 1 edition

Orientalism and representations of music in the nineteenth-century Bri ...
Claire Mabilat

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Orientalism and representations of music in the nineteenth-century British popular arts
Claire Mabilat.

Published 2008 by Ashgate in Aldershot, Hampshire, England, Burlington, VT .
Written in English.

Table of Contents

The musical stage. An introduction to British opera and musical stage works in the long nineteenth century ; Sexualizing the other ; An angel/demon dualism
Works of fiction: Rider Haggard and his milieu. Literature and orientalism: contextualizing Rider Haggard ; The Lady of the Night hath a sweet voice, and she will not sing In vain: Haggard's women, sexuality, music and the other ; Haggard's constructions of African masculinity: otherness, violence and music ; [T]hat unknown man's singing has stirred you deeply : E.M. Hull's the Sheik, an exploration of orientalized gender
Visual culture. Hearing art: an introduction ; Visually realizing the fictions of H. Rider Haggard ; high art and the musical orient ; Staging the photographic Orient.

Edition Notes

Includes bibliographical references (p. [223]-243).

Series
Music in nineteenth-century Britain

Classifications

Dewey Decimal Class
700/.4585
Library of Congress
ML286 .M23 2008

The Physical Object

Pagination
xiii, 252 p. :
Number of pages
252

ID Numbers

Open Library
OL22657104M
ISBN 13
9780754659624
LC Control Number
2007033750
Library Thing
6164932

History Created December 11, 2009 · 2 revisions Download catalog record: RDF / JSON

January 29, 2010 Edited by WorkBot add more information to works
December 11, 2009 Created by WorkBot add works page