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"James Merrill and his longtime partner David Jackson were brilliant, rich, charming, generous, and sophisticated, and Merrill was a world-famous poet, known for the autobiographical element in his work. They were also, for over a quarter-century, deeply involved with ghosts, gods, and spirits, with whom they communicated through a Ouija board.
Among the results of this intense preoccupation with the occult were a book-length poem, which some critics have called a masterpiece, and the possible destruction of several lives.".
"The Pulitzer Prize-winning novelist Alison Lurie knew James Merrill and David Jackson for more than forty years.
Now, in Familiar Spirits, she reveals both the worldly and otherworldly sources of Merrill's brilliant poem, The Changing Light at Sandover, which he called his "chronicles of love and loss." In her signature mix of comedy and analysis, she recalls Merrill and Jackson's life together in New York, Athens, and Key West, and speculates on the meaning of their adventures in both the real and unreal worlds.
Her account of Merrill and Jackson's peculiar relationship with the supernatural and its tragic end will not only surprise many readers, it will also stand as a poignant memorial to her lost friends."--BOOK JACKET.
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Edition | Availability |
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1
Familiar Spirits: A Memoir of James Merrill and David Jackson
February 26, 2002, Penguin (Non-Classics)
in English
0142000450 9780142000458
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2
Familiar spirits: a memoir of James Merrill and David Jackson
2002, Penguin Books
in English
0142000450 9780142000458
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3
Familiar spirits: a memoir of James Merrill and David Jackson
2001, Viking
in English
0670894591 9780670894598
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From Goodreads:
Alison Lurie is known for the sophisticated satire and Pulitzer-winning prose of her novels and stories. In Familiar Spirits, she lovingly evokes two true-life intimates who are now lost to her. In her signature mix of comedy and analysis Lurie recalls Merrill and his longtime partner, David Jackson and their lives together in New York, Athens, Stonington, Connecticut, and Key West. Familiar Spirits reveals both the worldly and other worldly sources of what Merrill called his "chronicles of love and loss". Merrill was known for the autobiographical element in his work and here, we are introduced to the over thirty years of Ouija board sessions that brought gods and ghosts into his and David Jackson's lives, and also into Merill's brilliant book length poem, The Changing Light at Sandover. Lurie suggests that Jackson's contribution to this work was so great that he might, in a sense, be recognized as Merrill's coauthor. Her account of Merrill and Jackson's long and inspired relationship with the supernatural and its tragic end will not only surprise many readers, but stand as a poignant memorial to her lost friends.
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