An edition of Turkish German cinema in the new millennium
(2012)
Turkish German cinema in the new millennium
sites, sounds, and screens
1st ed.
by Sabine Hake and Barbara Caroline Mennel
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Subjects
Motion pictures, Motion picture audiences, Stereotypes (Social psychology) in motion pictures, Culture in motion pictures, Foreign language films, Turkish Motion pictures, Motion pictures and transnationalism, History, Motion pictures, germany, Motion pictures, history, International relations, InternationalismPlaces
GermanyTimes
21st centuryShowing 1 featured edition. View all 1 editions?
| Edition | Availability |
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Turkish German cinema in the new millennium: sites, sounds, and screens
2012, Berghahn Books
in English
- 1st ed.
0857457683 9780857457684
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Book Details
Table of Contents
Introduction
CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom
David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave
Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon
MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back
Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films
Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba
Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans
Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator
INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema
Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities
Karolin Machtans: The perception and marketing of Fatih Akin in the German press
Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press
THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on
Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen
Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore.
Edition Notes
Includes bibliographical references and index.
Includes filmography.
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History
- Created August 8, 2012
- 6 revisions
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| December 20, 2022 | Edited by MARC Bot | import existing book |
| December 7, 2022 | Edited by ImportBot | import existing book |
| October 17, 2022 | Edited by ImportBot | import existing book |
| July 17, 2022 | Edited by ImportBot | import existing book |
| August 8, 2012 | Created by LC Bot | Imported from Library of Congress MARC record. |